Bodenstown is located near Sallins in County Kildare and it is in the local cemetery there that Theobald Wolfe Tone was buried in 1798, after he had cut his own throat because he was told that he would not be granted the honourable execution normally given to soldiers. But, since that time, this site in Bodenstown has become the spiritual home of Irish Republicanism.
The Grave itself was discovered in 1843 by the ‘Young Irelander’, Thomas Davis, who spread the name and deeds of this icon of republicanism far and wide throughout Ireland. In this small way began a tradition among nationalists and republicans to enhance the life and exploits of Wolfe Tone, thereby creating an Irish legend. Not surprisingly, Tone’s grave site became a shrine to Irish freedom, to which all shades of republicanism from various eras made a heartfelt annual pilgrimage. During those years many republican voices have given orations by this honoured grave, including among them James Connolly, Tom Clarke, Patrick Pearse, Sean O’Casey, Eamon de Valera, etc.
Prior to the establishment of the ‘Irish Free State’ in 1922 most of these pilgrimages were organized by the ‘Irish Republican Brotherhood’ (IRB), the National Graves Commission, or Sinn Fein under its many titles and guises. Since its creation in 1926 the ‘Fianna Fail’ Party have organized an annual pilgrimage to Bodenstown in memory of Wolfe Tone, as part of their effort to strengthen their claim to be as republican-minded as ‘Sinn Fein’ in the eyes of Ireland’s people. As expected the organisations attending, the numbers of people travelling, and their combined mood reflected the militancy of the ‘Irish Republican Army’ (IRA), and the factions within that movement. But, it has only been since the beginnings of the ‘Troubles’ in ‘Northern Ireland’ that the ‘Ulster Question’ has had an impact on the Bodenstown gatherings.
Unfortunately, in October 1969, the troubles came to the pilgrimage when the ‘Ulster Volunteer Force’ (UVF) planted a bomb in the graveyard, which destroyed the memorials to Wolfe Tone. Then, in June 1975, the same loyalist terror group planted a bomb near Sallins with the sole intention of derailing a train filled with pilgrims on their way to Bodenstown for the annual gathering. Sadly, during this operation, an innocent and uninvolved passer-by was killed by the loyalist action.
Early in twentieth century the Catholic Church in Ireland associated Wolfe Tone with the physical-force faction of Irish Republicanism and the hierarchy of the church opposed priest attendance at these gatherings. Many priests, however, who were unafraid to demonstrate their support for Irish freedom and republicanism, and they continued to attend the gatherings. The Catholic population of the country had always supplied the support for republicanism in Ireland. Wolfe Tone, however, was from the Protestant tradition and some who gathered at Bodenstown saw the recitation of Catholic prayers over Tone’s grave as being inappropriate. Then, in 1971, the new memorial at Wolfe Tone’s grave-site was formally blessed with Roman Catholic and Protestant clergy participating jointly.
Sadly, it appears there has arisen a less desirable trend in the speeches of earlier years when compared to those speeches of recent decades. There is always a formal nod to the exploits of Wolfe Tone but, both ‘Fianna Fail’ and ‘Sinn Fein’ have begun to use the occasion to set out and promote their own political manifesto, and to lambast the programs of other parties. From such debates opposing factions have arisen within Irish Republicanism, all seeking a united Ireland but divided as to how to achieve this goal. It is the same old story of Irish politics that even Wolfe Tone faced, namely the weakness of our cause because of our political divisions.
Many long years ago there was a man living in the village of Derrytrask, whom many considered to be a bit of an ‘eejit’. To prove their view of the man, they would point to the way he was demonstratively fond of music but had never been able to learn to play more than one tune on his pipes, namely the “Black Rogue”. In the various bars and at the local festivities he used to make a few shillings from those who would make fun of him as he played his tune. The money helped both the man and his widow mother to pay the rent on their small holding and occasionally buy some luxuries, like snuff and a bottle of stout or two.
One night the Piper was walking home from a local house, where there had been a bit of a dance, and he was somewhat the worse for wear because of the whisky he had imbibed. As he walked along the the narrow cart track road he came up to a little bridge that was close by his mother’s house. He stopped for a moment, breathed into his pipe bag and squeezed it to begin playing that one tune that he knew so well, the “Black Rogue.” From behind him, in the darkness a ‘Puca’ came upon him, grabbed him and flung him on his own back. The ‘Puca’ is a spirit creature which takes on many forms and shapes. On this particular spirit creature there were long horns and the Piper had to take a good, strong grip of these. As he grabbed the horns he cried out at the creature, saying, “Damn you to hell, you evil creature. Let me go on my way home for I have a silver sixpence in my pocket for my mother, and she wants some snuff.”
“Never you mind your mother, or even what she wants” said the ‘Puca’, “but concentrate your mind on keeping your hold on those horns. If you should fall from my back you will surely break your neck and those pipes you carry.” Then, more softly, the ‘Puca’ asked him, “Why don’t you play for me the ‘The Blackbird?‘”
“But, I don’t know that tune,” replied the Piper.
“Do not concern yourself about whether you do or you don’t know the tune,” Puca snapped at him. “Just you begin playing those pipes and I’ll make certain you know the tune.”
Frightened, the Piper put wind in his bag and he began to play such fine music that it made him wonder how such a thing could happen. “Upon my word but you’re a fine music teacher,” says the Piper, adding, “now tell me where you are taking me with such speed.”
“Tonight there is a great feast being held in the house of the Banshee, which stands on the top of Croagh Patrick,” said the Puca. “I am now bringing you to the feast where you will play your music and have no doubt that you will be well rewarded for your trouble.”
“Sure isn’t that a great thing, for you’ll save me a journey, ” replied the Piper, “Father Tom has told me that I should make the pilgrimage to Croagh Patrick as a penance, because it was me who stole the big white goose from the Martins’ farmhouse yard.”
The Puca paid him no mind, put down his head and rushed the piper across hills, bogs and rough places, until he finally brought him to the top of Croagh Patrick. As they came to a halt the Puca struck three blows on the ground with his foot, and a great door opened before them. Unhesitatingly they both passed through the door and found themselves in a large, finely adorned room.
In the middle of the room the Piper saw a large golden table, around which sat hundreds of old women, and all were staring toward him. One of the old women stood up from her seat and greeted him, “A hundred thousand welcomes to you, Puca of November. Who is this mortal being that you have brought with you?”
“This mortal is the very best Piper in all of Ireland,” said the Puca, proudly.
One of the old women now struck a blow on the ground, which caused a door to open in the side wall of the fine room. Then, very much to the Piper’s surprise he noticed, coming out of the door, the big white goose, which he had stolen from Martins’ farmyard. “It’s a miracle to me,” says the Piper, “myself and my mother ate every last morsel of that goose, except for one wing. It was that one wing that I gave to old Red Mary, and it was her that told the priest I had stolen the goose..”
The goose now marched over to clean the table before carrying it away. The Puca now turned to the piper and urged him to, “Play your music for the enjoyment of these ladies.” The Piper put air into the bag and began to play. He played so well that all the old women took to the floor and began to dance, dancing so lively until they were too tired to dance any more. It was then that the Puca came forward to demand that they pay the Piper. Without complaint each and every old woman took out a gold piece from their pockets and gave it to him.
“By the staff of Patrick,” says the Piper, “sure I’m as rich as the son of any great lord.”
“Now come with me,” asked the Puca, “and I will bring you back to your home.”
They went out of the room and, just as the Piper was about to mount the back of the Puca, the goose waddled over to him and presented him with a new set of pipes. With the same speed as before the Puca set off and it did not take him long until he brought the Piper back to Derrytrask. They came at last to the little bridge again and the Piper dismounted the Puca, who quietly told him that he should go home. Before the Piper left the Puca told him, “You now have two things that you have never had before. You now have sense and music.”
Feeling on top of the world the Piper hurried home, and he knocked loudly at his mother’s door, calling out to her, “Mother, let me in. Your son is as rich as any lord, and I have become the very best Piper in the whole of Ireland.”
“You’re drunk again,” replied his mother in disgust.
“No,Mother, indeed I’m not,” insisted the Piper, “Not a single drop of liquor has passed my lips.”
The mother opened the door to him, and he gave her the gold pieces he had received from the old women. “Wait, now,” says he, “until you hear the wonderful music that I can play now.” He quickly buckled on the pipes and began to play, but instead of sweet music there now came a sound as if all the geese and ganders in Ireland were screeching together. The terrible noise that he made wakened all the neighbours, and they were all mocking him. Their mocking continued until the Piper put on his old pipes and, from that moment, he played the most melodious music for them. Now that they had heard his music the Piper told them all the great adventure that he had gone through that night and they listened to his story in disbelief.
The next morning, when Piper’s mother went to look at the gold pieces her son had given her, there was nothing there but the leaves of a plant. Shocked by this the Piper went to see the priest and related to him the adventure he had undertaken. But the priest would not believe a word that he uttered and the Piper decided to play the pipes for him. As he did so the screeching of the ganders and the geese began once again. “Leave my sight, you thief,” the angry priest roared at him. But the Piper would not move an inch until he put the old pipes on him to demonstrate to the priest that his story was indeed true. He buckled on his old pipes, and he began to played the most wonderful and melodious music. Such became his fame that it is said from that day until the day of he died there was never his equal as a Piper in all the west of Ireland.
Ask most people what they think of when they think of Ireland, you would probably be answered with “Shamrocks, Harps, and Thatched Cottages”, and probably in that order. But, sadly that iconic symbol of Ireland, the Thatched Cottage, have been disappearing from the Irish landscape for generations. The plague of emigration has struck many parts of the island and hundreds of these one-time homes have been left to ruination. The thatched roofs have been allowed to rot and disintegrate, the rain to wash the mortar out from between the stones and leaving only house-shaped piles of dry stones. It is these that have become such a familiar sight in Ireland’s rural landscape. Those old cottages that have not been allowed to fall to wreck and ruin have been given a modern conversion for the roofing, such as corrugated-iron, slate, and tile.
Nowadays, there are less than 1,500 traditionally thatched cottages left in the whole of Ireland, which make it more vital than ever that we preserve them. Although they have proved themselves, over the generations, to be durable and environmentally friendly, in our modern technical age they are seen to be obsolete products of Irish history and tradition.
Though in some places, people are restoring old cottages or thatching new cottages built in the style of the old, less than 1 in 100 of the population live in them. It is quite a difference from the days of 19th century Ireland when over 50% of the population slept under the security of a thatched roof.
Thatching is one of the greatest symbols of our traditional building in Ireland and it has been around since prehistoric times. A thatched roof was the key part of any traditional building for it was the thatched roof that provided the family with shelter and protection at a very cheap cost. These buildings were usually constructed by local tradesmen, who used locally sourced materials to complete the work. These men were plentiful in number in years gone by and their trade had been handed down from father to son. The buildings themselves were, however, usually small in size (traditionally one room), simple in their design (usually rectangular in shape) and were built from local materials such as mud or rocks for the walls and thatch for the roof.
The availability of these building materials in sufficient quantities was vital to the creation of the cottages. The idea of bringing in materials from other areas could not be considered, especially before the introduction of modern transport such as railways, lorries, or canals. The transportation of large, heavy loads was impossible also because of affordability. Even if adequate transport systems had been in operation it was beyond the means of the ordinary Irishman and peasant to pay for the materials, their transportation, and the employment of skilled builders to construct the cottage.
Naturally, the materials used in the building of rural cottages varied across the years, and from region to region. The materials employed would depend on the financial resources of the family, and also on what was available locally. The walls of the building were the most important parts of the construction but could prove to be the most expensive. Poorer families, for the most part, used mud that was tempered with strengthening agents such as straw, reeds or animal matter. Lime mortar, however, was the most desirable material for walls but it was the most expensive.
For many hundreds of years, the most indispensable material in creating the roofs of Irish cottages was thatch. In normal circumstances these roofs began with overlapping layers of sod were placed on the timbers. Then, on top of this layer, the straw thatch was laid. This thatch was derived from a variety of natural materials such as wheat and flax, which was carefully cut and threaded by the Thatcher until every part of the roof was covered and protected from the elements. In most cases, it would take the thatcher to place over 5,000 handfuls of straw to complete the work on the roof. This craft was a skilled trade and was passed down through the generations from father to son, and for the thatcher, the work was regular, since the thatched roof, depending on the material and its condition, would require replacing anywhere from five to twenty years.
Thatch had been the main roofing material for centuries in Ireland, but this began to change after Ireland won its independence from Britain. The new ‘Free State’ government, when it was established in Dublin, began to offer grants to the people for home improvements. Thatch now began to fall out of favour as Ireland’s homeowners took advantage of the funding to replace thatch with slates or tiles, which did not need to be repaired or replaced as often. The side-effect of all this was the virtual disappearance of the Thatcher’s craft, that had been handed down from one generation to the next. Lack of work in their trade saw the Thatcher move from rural Ireland into the towns or emigrate to other countries. Becoming a rarity in Ireland, where it was once so common, gradually made thatched roofs an expensive option for homeowners and the exorbitant cost of repairing thatch caused many cottages to be abandoned to decay or used to house livestock. Sadly, in our more modern times the decline in the popularity of thatched cottages, thatching has become rare as a family trade. But it has not totally disappeared, and several groups and individuals are continuing the craft throughout Ireland by helping to restore existing cottages and to assist in building new ones.
From various records and research, the thatched roof in nineteenth-century Ireland was a sign of poverty. The grand houses of the Landlords had slated or tiled roofs while the peasantry occupied the thatched, mud-walled cottages. Perhaps it was the stigma of poverty that was attached to thatched roofs in Ireland that helped in its demise when materials such as tiles and slated became more available. As new slated roofs sprang up throughout the country many people may have become ashamed of their poor-looking homes, so when the time came and modern materials became more easily available and affordable, they had no hesitation in abandoning their thatched roofs.
In my various readings and studies of Irish Traditions and Folklore I have picked up many useful notes on how best to behave. These notes refer to an ‘Irish Wake’, which is very solemn occasion, but also full of celebration that the soul of the dead person has gone to a much better place.
Consider these points:
Never use a short cut to bring a body home to the house of the church.
Stop the clocks in the ‘wake house’.
When fires go out, do not remove any ashes from the ‘wake house’.
Do not light a candle from the flame of another at a wake. If you cannot find a match or lighter, then light it at the fire.
Refuse no person a smoke at a wake, let them take at least a couple of draws.
Refuse no person a drink or a bite to eat but give out both liberally.
Don’t silence laughter, because it may be caused by humorous stories concerning the actions of the deceased.
Put a cloth over all mirrors in the house.
Besides the above there are several useful helpful tips and warnings about things that might just happen
A cock crowing at an unusual hour at night is a sign of trouble or death, while a hen crowing at any time is a much surer sign.
A dog crying round a house is also a sign of death in that house.
You should not look not in a looking-glass at night, and if you break a looking-glass, you’ll have no luck for seven years.
You should never brush a floor in the direction of the door, because if you do you sweep away all the luck that’s in the house.
Finally, other than something borrowed and something blue, a girl who is getting married should wear, on her wedding day, something that belongs to a married woman.
Jack Flannery was a humble, hard-working shoemaker who lived quietly with his wife and their grown-up son, in a little cottage that stood by the roadside, at the edge of the village of Derryard. Trained by his father, Jack’s son had built a good reputation in the county. With such a reputation both Father and son always had plenty of work to do and were often obliged to sit up until late at night in their workshop to ensure that all the orders entrusted to them were completed.
One calm winter’s night, in early December, at about midnight, both men were, as usual, busy. They were sewing the leather at a brisk rate in one corner of the cottage’s narrow kitchen, where a turf fire was burning brightly on the hearth. Jack’s wife had grown tired earlier in the evening and had gone to bed. Everything in the house was quiet, except for the crickets, which chirped monotonously in the crevices all around chimney breast. Even the old sow and her litter of young ones, who were kept in a small corner of the cottage had stopped grunting and were asleep. The hens that were roosting on the broad beam at the further end of the cottage, near the door, had long given-up their usual cackling, and the entire house was at peace.
Jack and his son continued to sew leather in silence, which was broken only by the occasional whispered request made by one or other of the men for some article they required
“I don’t know, son, but I’ll go to the door and ask,” the father replied.
“Who in God’s name is there?” called the old man, on-going toward the door. When there was no reply, he asked once again, “Is there anyone there?” Again, there was no answer. “Well,” he whispered to his son as he returned to the bench and stood beside him.
“There was someone there, or something, whether it was good or bad, and wherever they’ve gone to.” The two men listened in silence for a few moments in case the knocking would return, but they couldn’t hear anything that would indicate the presence of a visitor outside. But they were not disturbed again that night.
The next night, however, at the same time they were very alarmed when they heard the footsteps again. The latch was lifted as it had been on the previous night and then allowed to fall with an exactly similar click. “God preserve us!” exclaimed the old man, who immediately arose from his seat, while his son was far too frightened either to speak or move.
As he had before, Jack went to the door and demanded, “In God’s name, who’s there?” When no answer was given, he called out again, “For God’s sake,” said the poor old man in a trembling voice, “is there anyone there?“
For a few moments he waited for a reply, but his wait was in vain. “Son,” said he, “we’ll get ourselves to bed now. But, don’t be afraid.” He could see that the young man was trembling in terror from head to foot, “Maybe it’s just someone playing games, and trying to scare us. But, let me tell you that, if it is and they try it again they’ll be sorry.” There was not another word spoken between them, and both men immediately went to bed and were soon fast asleep.
The third night, at the very same hour, the footsteps again came to the door. On this occasion, however, the latch was not lifted. Instead, there were three quick, sharp knocks as if the knuckles of someone’s hand were struck against the door. The old man, swearing an oath, immediately jumped to his feet, and going to the door opened it quickly, and went out into the night. He ran around the house and searched everywhere, but he could not find even a trace of anyone. Angry and frustrated, father and son went off to bed that night more frightened than they had been on either of the preceding nights. The father’s suspicion that there was someone who was trying to terrify them had given him a little more courage than the son, but now even he began to feel ill at ease. He had now begun to realize that his suspicions were incorrect, for he was firmly convinced that their tormentor could not have escaped so quickly if it was mortal. With this thought in mind, therefore, the father became very alarmed, for he felt that they had been given a warning that something bad was about to happen. But, if it was a warning, it would not be repeated, because such dire warnings are only given on three occasions.
As expected, those dread footsteps were heard no more, but this only increased his concerns, which he discussed with his wife and his son. A fortnight passed, and nothing unusual had occurred, which caused the dread that Jack Flannery, his wife, and son were feeling to considerably diminish. Then, on a Sunday night, at the of the fortnight, when old Ned McClean paid a neighbourly visit and found the Flannery family to be quite cheerful. Ned found them sitting beside a comfortable fire burning on the hearth, enjoying the pleasant glow of the blazing turf, and the pleasant experience of a quiet smoke at the end of the day.
“God save all here,” said Ned as he entered the house.
“And the same to you Ned,” replied Jack and his wife in unison, adding, “Sure, you’re very welcome, especially since you don’t go out much at all in the evenings.“
Ned and the Flannerys were long-time friends, and although Jack and his wife had always a kindly welcome anyone who entered their little cottage, the welcome for Ned was always that little bit warmer than any given to others. Jack’s son was, as they informed their friend, “out galavanting” and that they had the pleasure of the fire all to themselves. Inviting Ned to sit, they were all soon absorbed in discussing ‘old times’, which was a great favourite with them. They became thoroughly involved in the conversation and the time passed both quickly and pleasantly. But, unfortunately, they were interrupted, which caused a cold chain of silence to drop over the company and revived a dread of approaching evil once again in the hearts of the Flannerys.
The shoemaker was in the middle of telling his favourite story about the ‘bad times,’ when the cock on the beam flapped his wings and crew once, twice, thrice. “Ned,” said the shoemaker, “you will hear some bad news before long, mind what I’m telling you.“
Ned shook his head and replied, “I don’t like it at all, Jack, Lord preserve us!“
Mrs. Flannery blessed herself and uttered some inaudible prayers. Nevertheless, the interruption left them all in no humour for more storytelling about the past, and that one frightening incident that had just occurred was too unnatural to think about any further. Ned, therefore, departed the cottage with a fervent “God speed” from Jack and his wife.
Ned only a short distance to go home. Then, having said the rosary, he went to bed and was just beginning to close his eyes when he heard a loud rapping at the door. He listened and soon recognized that it was Jack Flannery’s son calling. “Ned, are you asleep?“
“No,” the old man replied. “What’s wrong?“
“Oh, get up quick, my father’s dead.”
“Dear God, boy, what are ye saying?” exclaimed Nicholas in amazement.
“My father’s just after dying. Hurry over, for God’s sake.“
It was the truth! Just about the hour of twelve midnight poor Jack Flannery’s soul had taken its leave from this earthly world. His wife had noticed that he was breathing heavily and was getting no response to her inquiries as to what was wrong with him. At that point, she called out to her son to get up at once and bring a light to the bedroom. The light finally revealed the lifeless body of a man who had been both a loving husband and a kind father.
It is often said that a sad tale is best told in winter, and one winter’s evening as I sat by the hearth of a blazing turf fire, I heard the following ghostly tale. But there was certain credibility about this story because of the way it was told to us with an air of reverence from the creaking voice of a withered old woman. Earlier there had been some talk about the need for Masses to be said for the souls of the dead and the importance that this held within the Roman Catholic faith in Ireland. In fact, the tale was told as a means of proving how sacred a duty it was for a Mass for the soul of the faithful departed to be said as they stood before the judgment seat in Heaven.
Saint John’s Eve starts at sunset on 23rd June and is the eve of celebration before the feast day of Saint John the Baptist. It was on a recent Saint John’s Eve that the old woman said the following supernatural event occurred –
“Wasn’t it Mary Molloy, a great friend of my mother’s, God rest her soul, that told me the entire story? She happened to be in the chapel at the evening service for ‘Eve of Saint John’ at the time. Now, whether she was tired and feeling drowsy after a hard day’s work gathering and tying up the new-cut grass, or whether it was something caused by the glory of the good Lord for the happy repose of a troubled soul, I don’t know. But somehow Mary fell asleep in the chapel, and she slept so soundly that she never opened an eye until every man, woman, and child had left the chapel, and the doors were locked. Well, when she awoke, poor Mary Molloy was frightened and trembled from head to foot as if she would die right there on the spot. Mind you, it’s no wonder she was so frightened when you consider that she was locked in a chapel all alone, and in the dark, and no one to help her.
“Well, being a hardy sort of woman, she recovered after a little while and concluded that there was no use in her making a whole fuss, trying to make herself heard, for she knew well enough that there was no living soul was within hearing. After a little consideration, now that she had gotten over the first fright at being left alone, some better thoughts came into her head and comforted her. Sure, she knew she was in God’s own house, and that there was no bad spirit that would ever dare come there. Comforted, Mary knelt again, and repeated her ‘Lord’s Prayer’, ‘Creed’ and ‘Hail Marys’, over and over, until she felt quite safe in Heaven’s protection. Wrapping herself up in her cloak, Mary thought that she would lie down and try to sleep until the morning. But she now called out loudly “May the good Lord keep us!” Then, the old woman, devoutly crossed herself when a sudden, very bright light shone into the chapel as bright as the sun, and with that poor Mary, looking up, saw the light shining out of the door to the Sacristy. At that very same moment, from out of the Sacristy walked a priest, dressed in black vestments, and making his way slowly up to the altar. He turned and asked, “Is there anyone here to answer this mass?”
“Well, when she heard the apparition speaking these words Mary’s heart began to race and she thought it ready to explode inside her breast, for she certain that the priest was some form of a ghostly spirit. When the priestly figure asked three times if there was no one there to answer the mass, and received no reply, he walked slowly back to the sacristy, the door closed, and all became dark again. But before he went into the sacristy, Mary was sure that he looked towards her, and she said that she would never forget the melancholy light that was in his eyes. He gave her such a pitiful look as he passed, and she said that she had never heard before or since such a wonderfully deep voice.
“Well, the minute that the spirit was gone, the poor woman dropped in a dead faint, and she could recall nothing more about the entire event until she regained consciousness in her mother’s cabin, and her senses returned. When the sacristan had opened the chapel the next morning for mass, he found Mary unconscious and calling for help brought her home to her mother’s cabin. But she had been so badly frightened by the event that it took a week before she could leave her bed. When Mary told all that she had seen and heard to her priest, his reverence then came to understand the meaning of the whole experience. On hearing about the priest appearing in black vestments he realized that it was to say a mass for the dead that he comes to the chapel. He concluded that the ‘Spirit Priest’ had, during his lifetime, forgotten to say a mass for the dead that he was bound to say, and that his poor soul wouldn’t have any rest until that mass was said. In the meantime, however, the ghostly priest must walk the earth until his duty was done.
“The Parish priest told Mary that, because all of this was made known through her, she had been chosen by the priestly spirit. He asked her if she would return once again to the chapel and keep another vigil there for the happy repose of a soul. Mary had always been a brave woman, kindly, and always ready to do what she thought was her duty in the eyes of God. She immediately replied that she would watch another night, but she hoped that she wouldn’t be asked to stay in the chapel by herself for any length of time. The Parish priest told her that it would do if she stayed there until shortly after twelve o’clock at night, knowing that spirits do not appear until after twelve, and from then until cockcrow. As requested, Mary went on her vigil, and before twelve she knelt to pray in the chapel. She began to count her beads on the rosary, and the poor woman felt that every minute was like an hour until she would be able to leave. Thankfully, Mary wasn’t kept very long before the dazzling light burst from out of the sacristy door, and the same ghostly priest came out that had appeared to her before. He walked slowly to the altar and once there he asked, in the same melancholy voice, ‘Is there anyone here to answer this mass?’
“Poor Mary tried to answer, but she felt as if her heart was up in her mouth, and she could not utter a single word. Once again, the question came from the altar, and she still couldn’t say a word in answer. But the sweat ran down her forehead as thick as drops of rain, and she suddenly felt less anxious. There was no longer any pressure on her heart, and so, when for the apparition asked for the third and last time, ‘Is there no one here to answer this mass?’ poor Mary muttered ’Yes’ as clearly as she could.
“She told me on many occasions afterward that it was a truly beautiful sight to see the lovely smile upon the spirit priest’s face as he turned around and looked kindly upon her. In a gentle voice he told her, ‘It’s twenty years that I have been ‘asking that question, and no one answered until this blessed night. A blessing be on her that answered, and now my business here on earth is finished,’ and with those words, he vanished in an instant. So, I tell you, never say that it’s no good praying for the dead, for you have heard that even the soul of a priest couldn’t have peace after forgetting to perform such a holy a thing as a mass for the soul of the faithful departed.”
There is great luxuriance about Irish mythology, filled with Gods, Goddesses, Heroes, Spirits and fantastic creatures of all sorts. This is particularly conspicuous when it comes to the history and characteristics of the ‘Fairy Folk’, more commonly known in Ireland as ‘The Good People.’ As with most mythological characters the origins of these people are confused and the subject of widespread debate. One popular belief concerning the origins of ‘The Fairy Folk’ suggests their beginnings are linked to a group of invaders known as the ‘Tuatha de Danann,’ which means “the people of the goddess Danu”, who were revered as gods by the native Irish. Over time, however, the ‘Tuatha de Danann’ succumbed to fresh invaders, who banished these so-called gods to the underground portion of Ireland. It is from this that people came to believe that fairies lived under the ground, and they came to be called ‘The Sidhe’ (pronounced: Shee).
Another popular belief, that may arise from after the arrival of Christianity in Ireland, suggests that the ‘Fairy Folk’ were once angels and were so numerous that they formed a large part of the population in heaven. When Satan turned against God and gathered a host of angels around him in open rebellion, there were some who did not want to join in the war that followed. They were fearful of the consequences that might be visited upon them by the victor and, therefore, preferred to see who won the battle before taking sides. Then, when the rebellious angels were defeated and expelled from heaven, those angels who had stood aside and did nothing were also banished. The offence of these neutral angels was one of omission rather than rebellion and they were not consigned to an eternity in the pit of hell with Satan and his followers. They were, instead, sent to earth where they were to remain, but not without hope that they may receive a pardon on the last day and be re-admitted to heaven. They are, therefore, expected to be on best behaviour, but they do retain the power to do a great amount of harm. It is for this reason that they are feared and only spoken of in quiet among the rural Irish, even today.
Stories about the fairy folk have been heard from all parts of the world, and one of the most interesting and consistent things about them appears to be that they can shape shift and make themselves look like anyone or anything they wish. They are, however, believed to be smaller than humans, averaging a height of between three and four feet. Generally, within Irish folklore, the ‘Fairy Folk’ are described as being slightly taller than people and very beautiful, with reports suggesting that some fairies, such as the ‘Irish Sidhe’, were typically of a height of seven feet tall. One report I read says, “Though, by nature, they’re not the length of your finger, they can make themselves the size of a tower when it pleases them, and have that ugliness that you’d faint with the looks of them, as knowing they can strike you dead on the spot, or change you into a dog, or a pig, or a unicorn, or any other dirty beast they please.“
These ‘Good People’ were often seen wearing clothes of red and green that depended upon the tribe to which they belonged and their rank within the tribe. Some were described as having green skin, while other sources describe them as looking much like humans but with a strange, ‘otherworldly’ aura about them. and the appearance of being either very young or very old to help in the perception of mortals to their wisdom. It is said that, generally, the people of the fairy hills were very pale and were usually finely dressed, but otherwise were human-like in their appearance. Stories say that the ‘Fairy Folk’ often appear wearing green, red or grey clothing, and may have blond or brown hair. They could be either male or female and could appear either alone or in groups. But, when it comes to their clothes, the records generally agree that young lady fairies wear pure white robes and usually allow their hair to flow loosely over their shoulders. Meanwhile, the more matronly fairies tie up their tresses in a coil on the top or back of the head and surrounding their temple with a golden band. The young gentlemen fairies wear green jackets, with white breeches and stockings. But, when a fairy of either sex has need of a cap or head-covering, they will use the flower of the foxglove. Within Irish folklore, however, the female fairies are known to appear with messages or warnings, while groups of male fairies would gather to play games of Hurling, for which they needed a single human player in order to have the game.
It has, in the past, been considered irreverent and bad luck to call the ‘Fairy Folk’ by that name, or simply ‘Fairies’, and the rural folk of Ireland became accustomed to creating more genteel substitutes such as ‘The Good People.’ Although this reluctance to use the term ‘Fairies’ seems to be relaxing in these modern days, there is still a widespread preference to use the substitute names instead. In this article we will try to remain with those terms that most people are familiar with, such as the ‘Wee Folk’ or the ‘Little People’. It is likely that such terms were derived as a means of minimising their power and influence, and as a description of their physical stature.
Many in the world have heard of the Irish ‘Leprechaun’ and consider them to be members of the ‘Fairy Folk’, but they are said by some to be unfit associates for the ‘Good People’. Nevertheless, the ‘Good People’ are a sociable community who always live in large societies with each member involved in a plan of work that is to the benefit of all. They own all their property, the kind and value of which is unknown, in common and are united in their desire to achieve any communal objective. But they are, however, divided into groups of evil or good, which are occasionally involved in night-time battles with each other. The male fairies are very familiar with every military role and, like most of Ireland’s population, are divided into various factions. But, unlike other the mortal factions, the objects of contention among the fairy factions is rarely known for definite. There is a report of a great battle among the fairies that occurred many years ago in County Kerry. One party of fairy warriors stood upon a Rath, while the opposing army of fairies stood on an unused and lonely graveyard. The only mortal to witness the encounter was Paddy O’Donoghue, who related what he saw as follows – “Sure, wasn’t I lying beside the road, being on my way home, weak and tired with all the walking I had done? There was a bright moon out that night, and I heard a noise like a million soldiers tramping on the road, so I rose up and looked, and the way ahead was full of little men. These creatures were just the length of my hand, with green coats on, and all stood in rows like one of those army regiments, each man with a pike on his shoulder and a shield on his arm.One was in the front, as if he was the general, walking with his chin up as proud as a peacock. By God, but I was terribly scared, and I prayed faster than ever I had done in my life, for they were far too close to me for comfort or convenience. But they all went by, not a single one of them turning his head to look at me at all, thanks be to God for that, and so, they left me. After they were completely gone, I was curious to see what they were after, so I followed them, a good bit behind them, and ready to jump and run like a hare at the least noise, for I was afraid that if they caught me, they’d make me a pig at once or change me into some kind of a beast. They marched into the field between the graveyard and the Rath, and there was another army there with red coats, from the graveyard, and the two armies had the biggest fight you’ve ever seen, the greens against the reds. After looking on for a bit, I got excited, for the greens were beating the reds badly, and I up and gave a yahoo and called out, ‘At them again! Don’t leave one of those blackguards untouched!’ And with that word, the sight left my eyes and I remember no more until morning, and there I was, lying on the road where I had seen them, as stiff as a crutch.”
They say that fairy bodies are not composed of flesh and bone like we mortals, but of a kind of ethereal substance whose true nature is unknown. They can be clearly seen by some, many reports of which have been recorded, but some observers also tell us that they can also be seen through as if looking through a mist. In Ireland there is a belief that the fairies have a white blood, which is spilled in those occasional night battles between different groups of which the only evidence appears to be the remains of an inexplicable white liquid (Fairy Blood). They have, of course, the power of being able to vanish from the sight of mortals and the fact that the air seems to be filled with their presence causes ordinary mortals to give them respect. There are reports of them being heard without being seen, especially when they travel through the air and are recognised by the humming noise like that made by swarms of bees. It must be said, however, that despite modern artistic interpretations of the ‘Fairy Folk’ there is no evidence as to them possessing wings. A certain Kerry man, called Barney Murphy, thought that they had wings for he had seen several a number of years ago that seemed to have long, semi-transparent pinions, “like them that grows on a dragon-fly,” described them. But Barney’s neighbours, however, contradicted his report by adamantly denying that the ‘Good People’ had wings, suggesting that at the time Barney saw the fairies he was too drunk to distinguish a pair of wings from a pair of legs, and so this evidence of fairy wings must remain in doubt.
Fairy lore allows us to divide the ‘Good People’ into two distinct categories, i.e. ‘Trooping Fairies’ or ‘Solitary Fairies’. The trooping fairies are a matriarchal society and they consider socialisation and status important within their community. Moreover, they can be further divided into those who are known to be good and those who are more disposed to be bad. The ‘Solitary Fairies’ obviously live alone, but they are known to attach themselves to a certain family or house. But, despite what type of fairy is present, it is often recommended that local people leave offerings outside their homes overnight as a means of appeasing them. Even if the food offered is still there the next morning the people believed that it was the fairies would have appreciated the thought at least.
The people had other means and methods to prevent bad things from happening to them, including the keeping of a few charms and talismans handy that might just work against fairy magic. Iron is the most well-known and effective element to ward off the fairy folk, though steel might prove to be a better weapon because it is a much purer form of iron. In Irish folklore it is known that the importance of Iron does not just lie in its ability to ward off the fairies. It is also known as a means of deterring ghosts, witches, and more supernatural beings. The sound of bells and whistling can also keep away fairies and, if you ever found yourself being chased by evil fairies, you could leap to safety by crossing running water. By throwing burning embers at the fairies you could drive them away from entering your house, and some people would sprinkle their clothes with oatmeal while also carrying some in their pockets to guard against the fairies approaching. Four leaf clovers have always been considered lucky and will break any fairy magic, or you could always plant a rowan tree outside your house, or as a last choice you could simply try any blessed religious item. But mortals should always remember that there are many reasons as to why you should not even think of offending the fairies. Stories have described how fairy folk, when they feel themselves offended might lift extremely heavy objects, leave your hair in terrible tangles, or even replace your child with one of their own, or a magical block of wood.
In the mythology of Ireland, we have learned that the ‘Good People’ are derived from ‘Tuatha Dé Danann’ and are the original inhabitants of the ‘hollow hills’. They are the beings most strongly associated with agriculture and the produce of the land, and those ‘hollow hills’ in which they live are believed to be the entrances to their land of the ‘Fairy Folk’, sometimes called ‘Fairyland’. The ‘Good People’ were just as likely to be connected to mysterious, otherworldly islands that usually appeared in the West to fishermen but could never be reached, as they were to the hills and mounds of Ireland itself. (McNeill, M., The Silver Bough, Vol. 1; 1956). In Irish lore, the ‘Fairy Folk’ are everywhere. They live in the land, on the sea, and in the air. They are associated with the mounds and stone circles that litter the Irish landscape, as well as the multitude of watery places such as wells, springs, the sea and bogs, caverns, and strange swirls of wind, as well as specific trees, particularly lone Hawthorn trees.
It is also common belief in Ireland that the ‘Fairy Folk’ live in a parallel world to our own, into which mortals can accidentally enter through ‘Fairy Rings’. Although this other world may run in parallel to our own, time does not pass in the same way as it does in our mortal world. Tradition tells us that once a mortal enters this ‘Fairy Land’, there is almost no means of going back to their own world, and many Irish tales abound with stories concerning those people who were kidnapped by the ‘Fairy Folk’. Within these tales we can see that the concept of the ‘Fairy Land’ in Irish minds was just as complex as their beliefs about the ‘Fairy Folk’ that inhabited that land. On every occasion these ‘Fairy Lands’ were always described as being places of great beauty, wealth and peace. It is, therefore, not surprising to read in these stories that many mortals brought to such places did not want to leave until an overwhelming longing overtook them to see their families and homes. But, when these people did leave the ‘Fairy Land’ they would discover that hundreds of years had passed, and they would die and fade into dust as soon as they came in contact with mortality once again.
The ‘Good People’ are not confined just to their own realms, or the area around the entrances into those realms. Many stories reveal that they were able to go out into our world, occasionally appearing in local markets and fairs. Often, they would go unrecognized in such places, unless someone with the second sight saw them or they encountered someone who had previously dealt with them and still retained the ability to see them.
In the fairy lore of the Celts, the ‘Good People’ are described as being ruled by a monarchy and included a working class who were permitted to visit human markets and fairs in disguise, or were able to appear to farmers as people seeking to borrow something from them. When seen they were often riding on fine horses, coloured black, white or grey, and with hounds following. In older tales it is indicated that the deer in the forests are the cattle of the fairies. But it is on the quarter days Samhain, Imbolc, Bealtaine, and Lughnasa that the ‘Good People’ are said to be particularly active, moving from one hollow hill to another along long-established fairy roads. At Samhain and Bealtaine fairy influence is at its strongest and all mortals should take great care to avoid upsetting them. Bealtaine was known to be a time when the ‘Good People’ travelled the land, appearing as a stranger at the door of various houses asking for milk, or a coal from the fire. By giving these items to the ‘Good People’ it was said the household would have secured good luck for the year ahead. At Samhain, however, they are known to move from their summer to their winter homes in the hollow hills, and it is said that mortals face great danger if they come across them at night, for they are especially active between twilight and midnight. They travel in large bands and, although their parties are never seen in the daytime, there is little difficulty in following their line of march, for it has been reported that, “sure they make the most terrible little cloud of dust ever raised, and not a bit of wind causing it at all,” so that a fairy migration is sometimes the talk of the entire county.
The most malicious fairy host, an airborne tribe, are known to be most active at night, appearing as a wind that is very much feared by the country people. When this wind comes upon them the people avert their eyes from it and pray for safety, because they sometimes take people. These mortals are often taken great distances, where they may be kept forever, helping the ‘Good People’ as they carry out their mayhem and mischief throughout the country.
The ‘Fairy Folk’ are usually invisible to the eyes of mortal people, unless they wish for themselves to be seen, or the mortal has the gift of ‘second sight’. This ability to seem invisible is due to their power to deceive human senses by making one thing appear like another, such as making a handful of leaves being made to look like gold coins. Nevertheless, their movements along fairy paths and roads can be noticed by other means. The ‘Good People’ are known to ride out in procession, or ‘Fairy Raids’, which could prove to be dangerous to any mortal beings that they came across. As they ride out, they can create sudden whirlwinds or sudden blasts of wind, and they are known to present a threat to new brides, midwives and new-born babies.
The ‘Good People’ have the family relations of husband and wife, parent and child, and although it is said by some that fairy husbands and wives have as many little disagreements as are found in mortal households, “for, sure a woman’s tongue is longer than a man’s patience,” and “a husband is bound to be nagged incessantly day in and day out, for a woman’s jaw is sharpened on the devil’s grindstone,” yet opinions unfavourable to married happiness among the fairies are not generally well received. On the contrary, it is believed that married life in fairy circles is regulated on the basis of the absolute submission of the wife to the husband. This particular point was explained by a Donegal woman in this way, “They’re one, that’s the husband and the wife, but he’s more the one than she is.” Meanwhile, the love of children is one of the most prominent traits of fairy character, but as it manifests itself by stealing beautiful babes, replacing them by young ‘Leprechauns’ as changelings, the fairies are much dreaded by mothers along the west coast of Ireland, and they take many precautions against the ‘Fairy Folk’. Thefts of this kind now rarely occur, but at one time they were common, as “in them old days, you could see ten fairies where there isn’t one now, because they are leaving the country.“
A notable case of baby stealing occurred in the family of Termon MacGrath, who had a castle, now in picturesque ruins, on the shore of Lough Erne, in the County Donegal. The person telling the story was a ‘wise woman’ who lived in what was an apology for a cabin. It was, indeed, a thatched shed that had been placed against the precipitous side of the glen almost beneath the castle. The wretched shelter was nearly concealed from view by the overhanging branches of a large tree and by thick undergrowth, and seemed unfit for a pig-sty, but, though her surroundings were poor beyond description, ‘Old Meg,’ as her neighbour said, “knew a great deal about fairies and witches and could keep them from a baby better than any woman that ever drew breath.” Giving her a bit of tobacco, to enable her to take a draw of the pipe, quickly brought out the story. “It’s many years ago, that Termon MacGrath went, with all his army, to the war in the County of Tyrone, and while he was gone the baby was born and they called her Eva. She was her mother’s first, so she felt mighty uneasy in her mind about her, knowing that the ‘Good People’ always go after the first one that comes, and even more when it’s a girl they try harder to steal than when it’s a boy, because they believe that they’re easier to rear, although it’s me that doesn’t believe that one girl makes more trouble than do ten boys and isn’t as good.So, when the baby was born they sent out for an old witch of a widow who had set herself up as a wise woman, and she knew no more about doctoring than a pig, but they thought she could keep away the fairies, and that’s a job that takes one who tries to have no end of knowledge in the fairy folk. But the poor old woman did the best that she knew how, and so, God be good to her, she wasn’t to be blamed for that. But it’s the likes of her that put shame on them that have great knowledge of such things, for they make people think all wise women as ignorant as she is, herself. So she made the sign of the cross on the baby’s forehead with ashes, and she told them to bite off its nails and not to cut them until nine weeks had passed, and she held a burning candle before its eyes, so it would do the deeds of light and not of darkness, and mixed sugar and salt and oil, and gave it to her, so that her life would be sweet and long preserved and go smooth, but the old widow forgot one thing. She didn’t put a lucky shamrock, that’s got four leaves, in a gospel and tie it around the baby’s neck with a thread pulled out of her gown, and not remembering to do this, all the rest was no good at all. Nor did she tell the mother not to take her eyes off the child until the ninth day, for after that the fairies couldn’t take her. So the nurse took the baby into the next room and laid it on the bed, and went away for a minute, but thinking that she heard it cry, back she came and there was the baby, bedclothes and all just going through the floor, being dragged away by the fairies.The nurse scratched and caught the clothes and the maid helped her, so that the two of them pulled with all their might and got the bedclothes up again, but while the child was out of sight, the fairies changed it and put a fairy child in its place, but the nurse didn’t know what the fairies had done, nor had the old witch, that shows she was an ignorant woman entirely. But the fairies took Eva away under the lake where they treated her wonderfully. Every night they gave her a dance, with the loveliest music that was ever heard, with big drums and little drums, and fiddles and pipes and trumpets, for such a band the ‘Good People’ do have when they give a dance. So she grew and the queen said she should have a husband among the fairies, but she fell in love with an old Leprechaun, and the queen, to prevent such a thing, let her walk on the shore of the lake where she met Darby O’Hoolighan and loved him and married him with the queen’s consent. The queen told her to tell him if he struck her three blows without a reason, she’d leave him and come back to the fairies. The queen gave her a great number of riches, sheep and pigs without number and more oxen than you could count in a week. So, she and Darby lived together as happy as two doves, and she hadn’t as much care as a blind piper’s dog, moreover, they had two boys as good looking as their mother and as strong as their father.
“One day, after they’d been married seventeen years, she and Darby were going to a wedding, and she was slow, so Darby told her for to hurry and gave her a slap on the shoulder with the palm of his hand, and she began to cry. He asked her what was wrong with her and she told him he’d struck her the first of the three blows. So, he was very sorry and said he’d be careful in the future, but it wasn’t more than a year after, when he was teaching one of the boys to use a stick, that she got behind him and got hit with the shillelagh. That was the second blow, and made her lose her temper, and they had a real quarrel. So, he got mad, saying that neither of the blows ought to be counted, for they were both accidental. So, he flung the stick against the wall, ‘Devil take the stick,’ he said, and went out quick, and the stick fell back from the wall and hit her on the head. ‘That’s the third,’ she said, and she kissed her sons and walked out. Then she called the cows in the field and they left their grazing and followed her; she called the oxen in the stalls and they stopped eating and came out; and she spoke to the calf that was hanging in the yard, that they’d killed that morning and it got down and came along. The lamb that was killed the day before, it came; and the pigs that were salted and hanging up to dry, they came, all after her in a string.Then she called to her things in the house, and the chairs walked out, and the tables, and the chest of drawers, and the boxes, all of them put out legs like beasts and came along, with the pots and pans, and gridiron, and buckets, and noggins, leaving the house as bare as an evicted tenant’s, and all after her to the lake, where they went under and disappeared, and haven’t been seen by man to this blessed day.
“Now, there’s some that say the story isn’t true, because, they say how would a woman do such a thing and go off that a way and take everything she had, just because her husband hit her by accident those three times. But those who say it forget that she was a young woman, even if she did have those boys I was telling you about, and faith, it’s no lie I’m saying, that it’s not in the power of the angels of God to be knowing what a young woman will be doing. After they get old, and losing their teeth, and their beauty goes, then they’re sober and get over those notions; but it takes a long time to make an old one out of a young wan.
“But she didn’t forget the boys she’d left, and once in a while she’d come to the edge of the lake when they were close by the bank and spoke with them, for even, if she was half a fairy, she’d a mother’s heart that the good God put in her bosom; and one time they saw her with little man along with her, that was a Leprechaun, as they knew by the look of him, and that makes me believe that the real reason for her leaving her husband was to get back the old Leprechaun she was in love with before she was married to Darby O’Hoolighan.”
The ‘Fairy Folk’ are known to have produced children with humans and in order to procreate they have a nasty habit of stealing a bride from her wedding to marry one of their own kind instead. At some later date they might even kidnap a midwife to assist the bride to deliver the child of her fairy husband. Their penchant for kidnapping new brides is believed to be a result of their low birth rate and the need to increase their population with human babies and women. There are some who mighty dispute this cause, but what other cause could there be for stealing brides and babies, for which they are famed.
Within Irish folklore there are ample stories concerning kidnapped midwives and musicians who are released back into their own world after an agreed time period. Normally, those mortals taken into the fairy realm can never return if the eat or drink anything while there, but this rule does not hold for those who are taken for a pre-determined time period. There are also stories of those who go to the ‘Good People’ for a single night of dancing and entertainment only to emerge the next morning to find that four, forty, or four hundred years have passed in the mortal world.
The fairies commonly made their homes only in raths and Tumuli of Pagan days in Ireland, and, for this reason, the raths are much dreaded, and after sundown are avoided by the ordinary peasant folk. Attempts have been made to remove some of these raths from the landscape, but the unwillingness of the local people to engage in the work, no matter what inducements may be offered to them, has generally resulted in the work being abandoned. It has been reported that on one of the islands in the Upper Lake of Killarney there is a rath, and the proprietor, finding it occupied too much ground, resolved to have it levelled to increase the arable surface of the field. The work was begun, but one morning, in the early dawn, as the laborers were crossing the lake on their way to the island, they saw a procession of about two hundred persons, dressed like monks, leave the island and proceed to the mainland, followed, as the workmen thought, by a long line of small, shining figures. The phenomenon might have been genuine, but a mirage is by no means an uncommon appearance in some parts of Ireland, nevertheless work on the rath was at once postponed indefinitely. Besides raths, old castles, deserted graveyards, ruined churches, secluded glens in the mountains, springs, lakes, and caves are all homes and resorts to fairies, as is very well known on Ireland’s west coast.
As we know, there are many fairy hills and raths that exist throughout the island of Ireland, and between them run fairy roads and paths which are also invisible to mortal eyes. It is traditional that people refuse to build on such roads and paths, because to do so will inevitably bring the builder bad-luck, and often death. It is not such a good idea to disturb the site of the ‘Good Peoples’’ home, and to dig into a fairy mound, or cut down a fairy tree, will certainly bring the disturber misfortune and, perhaps, death. Even in this modern, technologically advanced society that Ireland has become there is still a very strong belief in such things will participate in protests against many road plans if it interferes with fairy trees, raths or mounds. It is also a fact that heavy fines can be placed upon those people who would destroy or damage fairy mounds, even if they are on private property.
The ‘Good People’ can either bless or harm mortals with whom they come into contact, and their gifts could bring great blessings to those who receive them, or they can be simple illusions that become worthless by dawn. In the same way the ‘Fairy Wind’ can bring illness or cause injury to humans including a sudden cramp, or stitch that tradition says is caused by an invisible ‘shot’ from an arrow fired by a disgruntled fairy. In some cases, this ‘Fairy Shot’ might be used against cattle and would cause them to waste away after they are struck, but it was a power that could be granted to witches that are close to the ‘Good People.’ In fact, it was widely believed in Ireland that witches learned their magic arts, for good or bad, from the ‘Good People’ with whom they were believed to closely associate themselves. Such friends of the ‘Fairy Folk’ were, of course, privy taught special knowledge and things like magic and healing. A favoured musician, a harpist or piper, might be given greater skill or particularly good instrument. The main amusements of the fairies consist of music, dancing, and ball-playing. In music their skill exceeds that of men, while their dancing is perfect, the only drawback being the fact that it blights the grass, “fairy-rings” of dead grass, apparently caused by a peculiar fungous growth, being common in Ireland. Although their musical instruments are few, the fairies can use these few with wonderful skill. It is said that near Colooney, in County Sligo, there was a “Wise Woman,” whose grandmother’s aunt once witnessed a fairy ball, the music for which was furnished by an orchestra which the management had no doubt been at great pains and expense to secure and instruct. She stated, “It was the cutest sight alive. There was a place for them to stand on, and a wonderful big fiddle of the size you could sleep in it, that was played by a monstrous frog, and two little fiddles, that two kittens fiddled on, and two big drums, beaten by cats, and two trumpets, played by fat pigs. All around the fairies were dancing like angels, the fireflies giving them light to see by, and the moonbeams shining on the lake, for it was by the shore it was, and if you don’t believe it, the glen’s still there, that they call the ‘Fairy Glen’ to this day.”
The fairies do much singing, usually in chorus, and their songs were formerly more frequently heard than they are today. Even now a belated peasant, who has been at a wake, or is coming home from a fair, in passing a rath will sometimes hear the soft strains of their voices in the distance, and will hurry away before they discover his presence and be angry at the unwelcome intrusion on their privacy. When in unusually good spirits they will sometimes admit a mortal to their celebrations, but should he speak, the scene at once vanishes, he becomes insensible, and generally finds himself by the roadside the next morning, “with that degree of pains in his arms and legs and back, that if sixteen thousand devils were after him, he couldn’t move a toe to save his own soul, that’s what the fairies do by pinching and punching him for coming on them and speaking out loud.”
As previously stated, they might appear as a stranger seeking to borrow something, needing milk or coal from the fire, or be encountered alone in a field or wood, or on a road. Those mortals brave enough to seek them out might choose to sleep on fairy mounds, or raths, or rings, in the knowledge that it would result in either a blessing or madness.
Thankfully, there are a variety of charms to protect us against the ‘Fairy Folk’, which are far too numerous to get into any depth with here. One example of these is – to keep a new mother and her baby safe from the ‘fairies’ they would be given milk from a cow who had eaten a ‘bog-violet’ (mothan). A charm to force a fairy host into releasing anyone they may have taken is to throw the dust from the road, an iron knife, or your left shoe at them and say, “This is yours; that is mine!” (McNeill, M., The Silver Bough, Vol. 1; 1956). In those cases where a person is suffering from a bad fairy spell or curse, a ‘Fairy Doctor’ must be found, who is a person who has special knowledge of the fairies. These ‘Doctors’ are able to diagnose the exact cause and produce the appropriate charm, chant, or herb that will cure the unfortunate victim. Farmers, meanwhile, would tie a red ribbon on their cattle or horses as a means of keeping fairies away. Some would tie a rowan twig on to a cow’s tail, or lightly strike the animals with rowan or hazel switches to achieve the same aim. Just as rowan and red thread is known to protect things from fairies, there are other well-known protections, such as anything that is made of iron.
A means of maintaining good relations with the ‘Fairy Folk’ is to offer the gifts such as milk, butter, and bread left by the doorway, or at the roots of a ‘Fairy Tree’, as well as a small amount of whatever one is drinking poured out onto the ground. In some instances, milk might be thrown in the air for the fairies or butter buried near a bog as an offering to them. On holy days, it was customary for some people to offer a heavy porridge that was poured into a hole in the earth, or bread which could be left out, or tossed over the shoulder. Among other people it was customary, on Beltaine, to bleed live cattle and offer the blood collected to the fairies. These days people still make offerings to the ‘Good People’ in certain parts of Ireland which include milk, cream, bread or other baked goods, honey, and portions of meals, as well as alcohol.
In conclusion, it must be pointed out that there appears to be a long standing and complex association between the ‘Fairy Folk’ and the dead. In fact, the dead often appear among the ranks of the ‘Good People’, especially the newly dead. There is also evidence to suggest that better class of fairies are fond of human society and often act as guardians to those they love. In parts of Donegal and Galway they are believed to receive the souls of the dying and escort them to the gates of heaven although they are not allowed to enter with them. On this account, fairies love graves and graveyards, having often been seen walking to and fro among the grassy mounds. There are, indeed, some accounts of faction fights among the fairy bands at or shortly after a funeral, the question in dispute being whether the soul of the departed belonged to one or the other faction.
There are many stories within Irish folklore that feature someone seeing a person whom they thought to be dead. This is often explained by saying that the person in question had not died but was taken by the ‘Fairy Folk’ and a ‘Changeling’ left behind, which was buried in the person’s name. In many stories a person is believed to have died but appears, often in a dream, to a loved one and explains that they have been taken into ‘Fairy Land’ and can only be rescued in a certain way .This rescue plan usually involves the living person going to a crossroads at midnight when the ‘Fairy Raid’ will pass by and grabbing their loved one from the horse he or she is riding.
Giving honour and offerings to the ‘Fairy Folk’ is an important aspect of an Irish folklore customs and are traditions that we would all do well to continue in our modern, scientifically and technologically advanced world. The more kindly fairies often take great pleasure in assisting those who treat them with proper respect, and as the favours always take a practical form, there is sometimes a business value in the show of reverence for them. There was Barney Noonan, of the County Leitrim, for instance, who was described “And no better boy was in the county than Barney. He’d work as regular as a pump and liked a bit of a diversion as well as anybody when he had time for it. That, wasn’t often, to be sure, but he couldn’t be blamed for that, for he wasn’t rich enough by no manner of means to be celebrating regularly. He’d a great regard for the ‘Good People’, and when he went be the rath beyond his field, he’d pull off his cap and take the clay pipe out of his mouth, as polite as a dancing master, and say, ‘God save you, ladies and gentlemen,’ that the ‘Good People’ always heard though they never showed themselves to him.He had a bit of bog land, that the hay was on, and after cutting it, he left it to dry, and the sun came out beautiful and, in a day or so, the hay was as dry as powder and ready to put away. “So Barney was going to put it up, but, it being the day of the fair, he thought he’d take the calf and sell it, and so he did, and coming up with the boys, he stayed over his time, being hindered with the drinking and dancing and chatting-up the girls, so it was after dark when he got home and the night as black as a crow, the clouds gathering on the tops of the mountains likeevil spirits and creeping down into the glens like angels of destruction, and the wind howling like ten thousand Banshees, but Barney didn’t mind it all, being stupefied with the drink he’d had. So the hay never entered the head of him, but in he went and tumbled in bed and was snoring like a horse in two minutes, for he was a bachelor, God bless him, and had no wife to nag him and ask him where he’d been, and what he’d been at, and make him tell a hundred lies about not getting home before. So, it came on to thunder and lightning like all the evil demons in the universe were fighting with cannons in the sky, and by and by there was a clap loud enough to split your skull and Barney woke up.
“‘Damn it,’ says he to himself, ‘it’s going to rain and me hay on the ground. What will I do?’ says he. “So, he rolled over on the bed and looked out of a crack for to see if it was really raining. And there was the biggest crowd he had ever seen of little men and women. They’d built a row of fires from the cow-house to the bog and were coming in a string like the cows going home, each one with his two arms full of hay. Some were in the cow-house, receiving the hay; some were in the field, raking the hay together; and some were standing with their hands in their pockets as if they were the bosses, telling the rest for to make haste. And so, they did, for every one run like he was going for the doctor, and brought a load and hurried back for more.
“Barney looked through the crack at them, crossing himself every minute with admiration for the speed they had. ‘God be good to me,’ says he to himself, ‘It is not every young man in Leitrim that’s got haymakers like them,’ only he never spoke a word out loud, for he knew very well the ‘Good People’ wouldn’t like it. So, they brought in all the hay and put it in the house and then let the fires go out and made another big fire in front of the door and began to dance round it with the sweetest music Barney had ever heard.
“Now by this time he’d got up and feeling easy in his mind about the hay, began to be very merry. He looked on through the door at them dancing, and by and by they brought out a jug with little tumblers and began to drink something that they poured out of the jug. If Barney had the sense of a herring, he’d have kept still and let them drink their fill without opening the big mouth on him, being that he was as full as a goose himself and needed no more; but when he saw the jug and the tumblers and the fairies drinking away with all their might, he got mad and bellowed out like a bull, ‘A-a-h now, you little skites, is it drinking you are, and never giving a sup to a thirsty mortal that always treats you as well as he knows how,’ and immediately the fairies, and the fire, and the jug all went out of his sight, and he went to bed again in a temper. While he was lying there, he thought he heard talking and a secret revelry going on, but when he peeped out again, not a thing did he see but the black night and the rain coming down and each drop would fill a water glass. So, he went to sleep, contented that the hay was in, but not pleased that the ‘Good People’ would be pigs entirely, to be drinking under his eyes and not offer him a taste, no, not so much as a smell of the jug.
“In the morning up he gets and out to look at the hay and see if the fairies put it in right, for he says, ‘It’s a job they’re not used to.’ So, he looked in the cow-house and thought his eyes would leave him when there wasn’t a straw in the house at all. ‘Holy Moses,’ says he, ‘what have they done with it?’ and he couldn’t conceive what had happened to the hay. So he looked in the field and it was all there; bad luck to the bit of it had the fairies left in the house at all, but when he shouted at them, they got very angry and took all the hay back again to the bog, putting every straw where Barney laid it, and it was as wet as a drowned cat. But it was a lesson to him he never forgot, and I’ll guarantee you that the next time the fairies help him in with his hay he’ll keep still and let them drink themselves to death if they please without saying a word.” We should not forget or turn our backs on the ‘Fairy Realm’ that has existed side by side with our own for so many centuries. Honouring the ‘Fairy Folk’ prevents ill-luck befalling us and can bring us good luck and blessings. More importantly it helps us to create a reciprocal relationship between us and the ‘Fairy Folk’ that is based on respect and friendship. Nevertheless, it is never a bad idea to know the signs of fairy trouble and how to protect yourself against them or find a ‘Fairy Doctor’ or Wise Woman to help you.
But we must remember that the fairies are by no means so numerous these days as they used to be. It is said their demise began with the rapid spread of National Schools and Father Mathew’s Temperance movement throughout Ireland, for it is known “they hate learning and wisdom and are lovers of nature.” In a few remote districts, where the schools scarce, the ‘Good People’ are still to be found, and their doings are told to us with a childlike faith in the power of these first inhabitants of Ireland, for it seems to be agreed among many researchers that they were in the country long before the coming either of the Gael, or of the English oppressor. So it is, that we mortals humans have a long and complex relationship with the ‘Fairy Folk’ and we must always remember that they are just as present today as they have ever been.
Wedin, W., The Sí, the Tuatha de Danaan, and the Fairies in Yeats’s Early Works, 1998.
The story of the ‘The Witches of Islandmagee’ is a strange tale, which has become very famous in the history and folklore of Ireland. It’s a story is located on the small Islandmagee peninsula, that lies along the east coast of County Antrim, and it is famed for being the last recorded witch trial held in Ireland. Although a witchcraft statute had been passed in Ireland in 1586, the record shows that not too many actual witch trials were conducted in any areas of the land. In fact, the record shows that only three witch trials were held, in which eleven individuals were accused of the crime of witchcraft. It is, however, the Islandmagee witch trial that stands out among them all because of the intensity of feeling it caused in a small, tightly knit community that numbered some three-hundred people of Scots-Presbyterian descent.
During the time of the ‘Tudor Plantation’ in Ireland Scottish Protestants, mostly from the Scottish Lowlands were encouraged to take up land that the crown had confiscated from Irish lords that had risen in rebellion. Among these new Scots-Presbyterian settlers there was a widely held belief in the existence of witchcraft, and they brought their superstitious ideas with them to Ireland. In Scotland, the hunting and destruction of witches was far more widespread than that carried out in England. In fact, Scotland was widely recognised as being one of the most vicious anti-witch countries in Europe. There was a total of approximately 3,800 people prosecuted in the Scottish courts, and more than three-quarters of these were put to death by strangling and/or burning. In England, and so by extension in Ireland, however, there was ‘Common Law’, which meant that those convicted in those courts of witchcraft could only be hanged. In Ireland, such trials were few in number, but there is an account of a trial that was held among the English ‘Planter’ community that lived in the Youghal area of County Cork, during 1661. Fifty years later, in March 1711, eight women were taken into custody and brought before the court at Carrickfergus, Co.Antrim. The subsequent trial was a major sensation at the time, shocking everyone when all eight women were found guilty of the demonic possession of the body, mind, and spirit of a local teenage girl. The judgment levied on them was that they were put in the stocks, where the public could throw stones and rotten fruit at them, prior to them being taken to serve a year in jail.
Witches and witchcraft had always been an integral part of Irish folklore, but the image portrayed by the folklore tales was that of a witch that was non-threatening to ordinary mortals. We have all heard the stories that tell us about witches stealing the ability for churning milk into butter, or other tales saying that they had the power to turn themselves into hares and steal the butter that had already been made. It was, however, the Scottish ‘Planters’ who brought their beliefs about witches to Ireland, introducing the witch as a malicious, expert in magic that was extremely dangerous to ordinary mortals. Thankfully, the ‘Trial of the Islandmagee Witches’ was well recorded by the authorities and the media of the day, which has provided modern researchers with ample primary historical resources to aid their studies. These include statements from the trial of the main characters, copies of newspaper articles at the time, pamphlets that were produced, letters, correspondence and legal depositions from witnesses. From all these documents it has been discovered that the origins of the case can be traced back to the previous year, 1710.
We are told that it was in 1710, that a young 18-year-old girl called Mary Dunbar arrived in Islandmagee from her home in Castlereagh, which lay at the edge of Belfast. It is suggested that the young girl had come to stay and help in the home of her cousin, Mrs. James Haltridge, whose mother-in-law had recently died. At the time of the woman’s death, it was alleged that her passing had been brought about through the black arts of witchcraft. Witnesses further alleged that Mary soon began to show signs that she, herself, had been possessed by an evil demon. These signs included Mary issuing threats to people, shouting, swearing, blaspheming, and throwing Bibles everywhere. On those occasions when a clergyman approached her to help, Mary would suddenly be overcome by violent fits, accompanied by vomiting various household articles, such as pins, buttons, nails, glass, and wool. In her statement to the court, Mary Dunbar claimed to have seen eight women appearing to her in spectral form, and this evidence alone would prove to very important at the trial. ‘Spectral evidence’ was a tactic used by the prosecution lawyers in cases, where the possessed person claims to have seen and been attacked by the witches, which then caused his or her possession in spectral form. This sort of evidence had been common in England in earlier trials but, by the time of the Islandmagee case, this type of evidence was rarely used because it had become less and less convincing in witch trials. ‘Spectral Evidence’ would, nevertheless, become one of the main proofs of guilt that were brought against the eight women in the trial of 1711. The main problem about such proof was that Mary would have been the only person to have seen this spectral possession occur. But Mary Dunbar was a relative stranger to this area, and she would never have seen any of these women before. However, this evidence was sworn to be true by her, and the trial jury in Carrickfergus chose to believe her. There were other types of ‘proof’ offered by the prosecution, of course, including their apparent inability to say, ‘The Lord’s Prayer’. And the authorities went even further to prove their case against the women by setting up a form of the identity parade, in which Mary Dunbar was blindfolded while a line of women came in to touch her. It was believed that the demoniac would go into terrible fits if he or she was touched by a witch, and Dunbar apparently succeeded in picking out the eight women that she had claimed to have bewitched and attacked her in spectral form.
Alongside the witness testimony, the character of the accused women themselves was also important in them being convicted. These women were all from the margins of society in the small community and were suffering from an impoverished life. It is said that some of them claimed to possess some form of witches’ craft. But, in Irish folklore, there was the character of “The Wise Woman”, who knew about love potions, healing plants, and various natural remedies that the people of their community sought. They were not witches in the true sense of the word but would have been readily accused of witchcraft by some. This was especially true in an age when the widespread belief was that a witch looked like a wizened old crone, much like the image we have of witches today, and these eight women apparently fitted that description.
In small villages and towns, the reputation of a person, or a family, is always well known. If a person had a less than perfect reputation and some act of misfortune happened within the community, then that person and his family would be suspected and even accused of being the guilty party. In this case, the misfortune that had occurred was the bewitching of Mary Dunbar, and some of these women already had the reputation of using witchcraft. Moreover, these women appeared to fall short of the ideals of womanhood espoused by others, which helped to fuel the suspicions of them being witches. Several of the women, for instance, were accused of drinking alcohol, smoking tobacco and swearing, none of which met the expected requirements for being considered a lady. On the other hand, Mary Dunbar was an intelligent, attractive young lady from a good family.
There is no record of what happened to Mary Dunbar or the eight women after the trial in Carrickfergus. Unfortunately, the public records office that held many Church of Ireland records was burned down during the Irish Civil War (1922-1923). According to the Act of 1586, the eight women would have been put in prison for a year and pilloried four times on market days for a first offense. However, we have no knowledge what happened to any of them after their sentence was served, for they simply disappeared from the historical records. As for Mary Dunbar, it is widely considered that she had made the entire thing up, for some reason or another. After all, she was not the first demoniac in England and Scotland to do such a thing and, being an intelligent young woman, such precedents would have provided her with an excellent example to follow.
Prime examples of misleading evidence were seen during the witch hunts and trials in Salem, Massachusetts, in 1692, and in Scotland in 1697, where an eleven-year-old girl called Christian Shaw, who was the daughter of the Laird of Bargarran, complained that she was being tormented by a group of local witches. She said that these witches included one of her family’s servants, Catherine Campbell, whom she had reported to her mother after witnessing her steal a drink of milk. As a result of Christian’s statements Seven people (Margaret Lang, John Lindsay, James Lindsay, John Reid, Catherine Campbell, Margaret Fulton, and Agnes Naismith) were found guilty of having bewitched the child and were subsequently condemned to death. One of this group went on to hang himself in his prison cell. It is also believed that Agnes Naismith may also have died while she was imprisoned. The remaining five accused were hanged, and their bodies burned on the ‘Gallow Green’ in Paisley on 10th June 1697. This proved to be the last mass execution of ‘witches’ in western Europe.
It is very likely that Mary Dunbar had learned the part of a demoniac from accounts she had heard or read about events in Salem or, more likely, Scotland, from where people were pouring into the ‘Ulster Plantation’ at this time. Maybe she sought fame or was simply doing the same thing that she is accusing others of doing. But, because it would not be considered her fault, there would be no moral responsibility attached to her actions. And, because she claims that it is someone else who is doing these things to her, she can comfortably break the type of behavioural constraints that were placed upon her as a female at the time.
As far as seeking fame is concerned, Mary Dunbar was a stranger in that community and may have felt that she was invisible and undervalued. She may have seen her accusations as being an opportunity to make herself visible in that community and her cousin’s family, as well as being able to act in ways that would normally be socially unacceptable. Whatever Dunbar’s reasons, it seems incredible to modern society that she should have succeeded. While it is easy to dismiss the people of that time as being blatantly ignorant, or disastrously superstitious, we must understand how things were in those days. Dunbar’s accusations made complete sense to the people, especially when they are supported by members of the clergy and the medical professions. In fact, doctors were called in to examine Mary Dunbar’s condition and concluded that her condition did not have physical causes but was due to supernatural influences.
Although the ‘Islandmagee Case’ was the last witch trial to be held in Ireland, there continues to be a belief in witches and witchcraft. There may have been no further prosecutions in Ireland for witchcraft since 1711, the Act of 1586 continued to be on the statute books until 1821, when it was finally repealed. There is little doubt that some cases did make it to the court, but the judges of the day would reject them because they were better educated and did not believe in such superstitions. There remains some belief in such things, with ‘Fairy Doctors’ and ‘Wise Women’ being asked to cure ‘fairy attacks’, and to perform traditional rites to remove curses and bewitchments. Such people are very small in number, compared to many years ago, but they are a sign that belief in witchcraft is not yet dead in Ireland.
A few years ago, I happened to be spending a long weekend in Donegal when I heard the story of ‘HMS Saldanha’. She was a 36-gun ‘Apollo-class’ frigate of the British Royal Navy, which was launched in 1809 and was commissioned in April 1810 and placed under the command of Captain John Stuart, who remained in command until his death on 19th March 1811. Captain Reuben Mangin took temporary command of the ship during the Spring of 1811. Finally, the ship was assigned to Captain William Pakenham’s and its short career came to an end when it was wrecked on the rocky west coast of Ireland in 1811. Earlier, on 11th October 1811, ‘HMS Saldanha’ and ‘HMS Fortune’ combined to take the French privateer ‘Vice-Amiral Martin’. The French ship carried 18 guns and a crew of 140 men, and it was on its fourth day out of Bayonne and was yet to encounter a British merchantman. It was reported that the French privateer had superior sailing abilities to most ships of her size, which had in the past helped her to escape pursuing British cruisers. In a subsequent report it was stated that though each of the British ships was doing at least 11 knots (20 km/h; 13 mph), the enemy privateer would have escaped only for the fact that there were two British vessels involved.
Along the North-western coast of Ireland lies Lough Swilly, a glacial fjord that cuts into the Donegal coastline between the western side of the Inishowen Peninsula and the Fanad Peninsula. It is considered a safe harbour for ships and is famed far and wide for the beauty of its scenery. However, although once inside the lough itself, the anchorage is safe, the entrance to the Lough is considered by many to be a very difficult and dangerous passage. The coast being here is known as being “iron-bound”, with several treacherous reefs of rocks lying near the shore, or partially covered by the sea. The present-day entrance to Lough Swilly has two lighthouses to protect it, with one on Fanad Point, and the other on Dunree Head. The various reefs and shoals in the entrance are well-marked by buoys, which today make the entrance to the Lough a much safer passage than it had been during the days when ‘HMS Saldanha’ was moored there.
In the latter part of 1811, ‘HMS Saldanha’ under the command of Captain Packenham, was stationed in Lough Swilly as a naval guardship, alongside the sloop-of-war, ‘HMS Talbot’. Their usual anchorage was off the little village of Buncrana, and occasionally the ships would weigh anchor to undertake a short cruise around the coast of the County Donegal for a few days. Their crews had been stationed in the Lough for such a long time that several officers had brought their wives to reside in the village of Buncrana. There were, of course, one or two of the officers and several of the men who had married local ladies, and all of them had gained the friendship and regard of the local gentry and may of the inhabitants of the surrounding area.
Early on the morning of the 30th of November the ‘Saldanha’ and the ‘Talbot’ left their moorings off Buncrana for a three days’ cruise around the coast. However, although the morning was fine and bright, just afternoon the weather became dark and threatening. Before that short November day closed, a great storm had rolled in from the Atlantic Ocean spilling its anger over both sea and land. Local folklore still recalls that terrible storm as the ‘Saldanha Storm,’ and there are many sad stories recounted of hearts that raced with anxiety and strained eyes that tried to peer through blinding spray and rain for the lights of the returning ships.
It was nearer to the mouth of Lough Swilly, on the shore opposite Buncrana, close to Ballymastocker Bay that those lights were seen at last. Along that shoreline the Fanad people gathered in great numbers, knowing that the bay hid a very dangerous reef of rocks, and upon them, the ‘Saldanha’ was Shipwrecked on the night of 4th December 1811. There are no reports any effort was made to save the doomed vessel and, officially there were no survivors out of the estimated 253 crew aboard the ship, with approximately 200 bodies being subsequently washed up on the shoreline at Ballymastocker Bay.
There are stories saying that one of the crew did make it to the shore alive, but the stories also tell of the ‘wild people’ (local wreckers) placing him across a horse, after giving him a draught of whiskey. The stories are unclear as to whether this was done in ignorance or in order to ensure he would die. Many bodies came continued to come ashore from time to time and were buried with great reverence in the old churchyard of Rathmullan, where the grave and a monument can still be seen.
Initial reports on the events in Lough Swilly that stormy night suggested that ‘HMS Talbot’ had also been wrecked, but it transpired that these reports were mistaken. The winter storms that swept through the Lough caused parts of the sunken wreck of the ‘Saldanha’ to come to the surface and be forced on to the yellow sands of Ballymastocker Bay. In the August of the following year, it was said that a servant in a big house some twenty miles from the wreck site shot a bird, which turned out to be a parrot with a collar, on which was engraved “Captain Packenham of His Majesty’s Ship Saldanha.” Then, as the years passed by, further storms would leave fragments of the ship’s planks and various personal items belonging to the crew strewn across the shoreline. On the night of the 6th-7th January 1839, there was another fierce and destructive storm, similar to that which the locals had called ‘The Saldanha Storm.’ On the morning of the 7th January, when the coastguards conducted their patrols of the bay’s shoreline, they recorded that the entire bay was strewn from end to end broken beams, timbers, and chests; All that remained of that doomed ship.
One interesting story from that time tells us that one of the coastguards searching the shore found a small worked case that ladies called a ‘thread-paper’, and he brought it to the wife of his commanding officer. The little case was beautifully made and still contained some loosely coiled and knotted lengths of silken yarn and a few rusty needles. On the back of the ‘thread-paper’ were embroidered three initials, lovingly created by the hand of the woman who had presented it to a member of the ‘Saldanha’ crew.
Over twenty years after the case had been found the lady to whom it had been given, now a widow returned to live in Scotland. While taking a few days holiday in the country-house of some friends in the south of the country, the lady began to converse with a young man who was also a guest at the same house. The lady and young man began to talk about Ireland, Donegal, and the wonderful scenery to be found there. At one stage of the conversation Lough Swilly was mentioned and this sparked the young man’s interest. He asked some questions about the area and then disclosed that his mother had lost a brother in the Lough many years before, having gone down with the wreck of the ‘Saldanha.’ The widow told all that she knew concerning the ‘Saldanha’ incident and revealed to the young man that she had a relic of the ship in her workbox. She took out the ‘thread-paper’ and, asking the name of the young man’s uncle, found that the name agreed with the three initials embroidered on the little case.
When the young gentleman told her that his uncle had been a midshipman on board the ill-fated ‘Saldanha’, and that he was his mother’s favourite brother, the widow woman put the small thread case into his hand. As she did this, the lady explained how she had come into possession of the case and told him, “Take that home to your mother, show it to her, and ask her if she had ever seen it before. If she should recognise it, she is very welcome to keep it. But if it did not belong to her brother you can return it to me.” The young man left the house the next morning and went home. A few days later, however, he wrote to the widowed lady and told her that his mother had immediately recognised the case as being her own work, which she had given to her beloved brother when he had last left home. It was a relic of a person loved and lost and he thanked the lady for restoring it to his mother after fifty long years. Although small and of no intrinsic value, this little case had been kept and returned to its original owner as though it had been some precious family jewel.