Dining Belle Fey

Guest item written by Sean Carney – March 2018

This is the first guest item I have included in my blog and I present to my readers for its interest value, and in the hope it will encourage others to send in their stories.

Browsing through Donegal Town’s official website recently, I came across some snippets of information from long ago regarding the anecdotes of a local character by the name of Belle Fey. A Faye, being a fairy, or Siog [sheog] a name given to her by her Dromore neighbours as a result of her strange ways. Belle Melly being her real name according to the 1940/41Donegal town electors list, for Dromore.

Poor Belle, I’m sure she’d turn in her grave if she were able to read the comments. Who’s to say she was just an old eccentric, had the author taken leave of his imagination, really! Doesn’t anyone believe in fairies or the little people anymore.? In my opinion Belle’s name ought to be up there in lights amongst Donegal’s countless legendary characters. Perhaps a song or a poem ought to have been composed in her honour. As far as I’m concerned, she was the real thing, a real living Siog. Belle, could, tell fortunes too, and see into the future just like her wee fairy friends who would come and sit at the foot of her bed during the night: she often said, the male Sioga would also visit her bedroom, a fact which greatly annoyed her – herself being a modest female and all.

I ought to know better than most folk about Belle’s, mystic talents because as an Eight-year old I had the doubtful privilege of meeting this wrinkled, steely-grey-haired, plaid-shawled old creature, and, being on the receiving end of a ‘Belle spell’, so to speak.

When we were youngsters my father and mother often brought our family on the gruelling twenty-four-hour journey to Donegal during our summer holidays. My dad emigrated to Yorkshire in the UK and was a coalminer in Yorkshire’s forbidding and dangerous 3,000 ft deep coalmines.

We usually stayed for the two weeks holiday with my dad’s brother and sister–the postman John, and Mae Carney; their house was situated in Dromore, up the lane at the top of the hill off the Donegal road. Their slate roofed cottage stood on the brow of the winding hill with its magnificent panoramic views over Donegal Bay, and the Blue Stack mountains–when it wasn’t raining that is! And was just a stone’s throw across the lane from Belle Fey’s faded whitewashed, thatched cottage. Belle must have had her eye on me, this wee buachailin ban, [ fair haired boy] as I was often up and down the lane with my sister Patricia, with Mae’s old enamel bucket to fetch water from the well, which bubbled up from a wee crystal–clear spring at the side of the lush green overgrown lane. Aunt Mae swore the water was “the best ever for making tae.”

As I recall, it was the day my father Hugh, was visiting his youngest sister Maggie Quinn at her pub, ‘Quinns Bar’, (Lazy Bush) at the top of Mountcharles, where he often went to catch up on the local gossip and discuss the price of cattle and imbibe in a few pints with his old school cronies. That particular occasion was a signal for Belle, to make her move on me, as she invited herself into John and Mae’s, house. Shortly a whispered discussion took place with my mother and aunt Mae, who herself was fond of reading the tea-leaves and such-like, as well as blowing her cigarette smoke up the turf blackened chimney of their huge open fire-place, which puzzled this eight-year old at the time. Many years later it transpired that John hated Mae smoking!

To continue the story; I was ushered into aunt Mae’s, dimly lit front parlour, which contained a dusty dark wood dining table and chairs, with the odd religious picture randomly placed on the whitewashed walls.

Situated on the inside gable of the house was an old fashioned black Victorian cast-iron fireplace, into which Belle, proceeded to set light to a crumpled newspaper in the empty grate. As the paper blazed away brightly, shooting orange blue flames up the chimney, Belle began mumbling as she stooped over the grate, while I stood mystified at the side of her, I didn’t have the faintest idea what she was saying, but I swear it wasn’t English. After a while Belle rose from the hearth in her usual bent posture, declaring authoritatively to my mother and Mae, in her rich Donegal accent. “This wee caddy will remain fair haired for the rest of his life”.

Sixty-five years on, and a bit more, and guess what? Short of having a bit of the thatch missing at the back, I still have a modest head of fair hair, despite a lifetime of trying to alter its colour by dousing it with strong tea, before I hit the town with the lads on a Friday night.

My mother and father, brothers and sisters, were all blessed with fine heads of typically Irish, dense, wavy auburn hair. Ultimately with the passing of time and sadly for them their hair turned grey and then white. Uncle John’s, hair may have been a bit sandy looking which he got from Ding, and Grandma Sweeney’s, side of the family, but with no stretch of the imagination was he blonde. So where in the blazes, excuse the pun, did mine come from? Belle Fey, “just an eccentric old woman? My foot!

Submitted by Fergus452@btinternet.com September 2018

Brought to you by http://www.irelandsloreandtales.com

The Irish Fairies

There was a time, and not too long ago, that the people were immersed in fairy-lore and superstitions. In our twenty-first century such things are laughed at, being considered simple superstition and old fashioned. Today, it is not considered ‘cool’ to talk about fairies and, in some circles, the word has a quite different and denigrating meaning. But, there are Irish people who believe in the ‘Fairy-World’ and the great things they are alleged to be able to do, and its on our knowledge of this world and its folk that others depend.

Evening time, as every Irish man and woman knows, is usually the period of the day when the fairy-folk choose to move from their raths and dells to new places of habitation. Furthermore, evening is the time usually selected by the fairies to indulge in their past-times and celebrations. There are many first-hand records from people who have seen the fairy-folk and witnessed the various frolics in which they indulge. From such records and witnesses has come the poetic and popular imagery that unites all to give us the depictions we have today.

The earliest records suggest that the most ancient and earliest settlers in Ireland were known as the ‘Tuatha de Danaan’. It is these ancient people who are thought to have been the first practitioners of druidism that brought natural and spiritual magic together. Tales tell us that these ‘Tuatha de Danaan’ were transformed into the fairy-folk at some remote time in the history of this island. It was at that time, too, that they were forced to live in underground places, within green hill-sides, raths and cairns. They were spread out in such numbers that even our most remote romantic dells and woodlands have become their most favoured haunts and are called by we mortals as ‘Gentle Places’. Moreover, it is known that these ‘Gentle Folk’ are also fond of living on the banks and little green hillsides that often lie beside gently flowing streams.

Dancing FairiesThere must have been an enormous number of raths covering Ireland in those far-off times. This is evident from the large number of raths that remain, but the case is made stronger by the fact that the compound word Rath, Raw, Rah, Ray, or Ra is constantly connected to the names of over a thousand various localities within Ireland. It is known that the fairy-folk enjoy getting together in these places, but it has proved difficult to gather accurate information concerning the social life of such folk, including what amuses them most and what their leisure pursuits are.

Music, it appears, is one of their most favourite amusements and their music can be heard beside the raths on most fine evenings. But, the beauty of this music has a type of ‘syren’ effect upon mortals, which causes them to linger and listen to these delightful melodies. While danger may be very close at hand, the mysterious, magical music makes them oblivious to anything other than its entrancing strains. Occasionally, the mortals may find themselves benefitting from their encounter with the fairy-folk, who may heap gifts upon mortal beings. Such gifts may cure both men and women of their infirmities and diseases, while removing any deformities they may have, and ensuring that they do not encounter any disagreeable accidents or misfortunes. The fairies are also known to pass on their supernatural power to both men and women, and invisibly assist them in many aspects of their lives.

At the same time, it has not been unknown for fairies to have a malevolent and mischievous disposition. They have been known to abduct mortals on a frequent basis, so that they can serve some selfish and degrading service for their captors. It has been known for fairies to bring a sudden stillness to the energies of mortals and ruin any of their prospects for worldly happiness. Occasionally, it is believed, they chose to leave people with their life-long illnesses, inflicting sorrow and pain on individuals and families alike. ‘Fairy Doctors’ would often prescribe an offering of ‘Cow’s Beestheens’ (some of the thick new milk given by a cow after calving) to be poured on a rath, which is supposed to appease the anger of the offended sprites. There were, indeed, many similar practices that were considered by the ‘Fairy Doctors’ to be no less potent when they are correctly used.

Sig, or Síghe (Pron: Shee) is an Irish word that is used as the generic title that is applied to the fairy, or fairy-folk. They are spread throughout the entire island, and the nearby nations of Scotland, Wales and England, where they more commonly known as fairies, elves, or pixies. The male fairy is known as the ‘Fear Shee’, while almost every person recognises the ‘Banshee’ as being the woman fairy. There have been occasions when the term ‘Mna Shee’, or women fairies, has been used in certain circumstances to describe certain of the ‘Little People’.

It must be made clear, however, that the ‘Fear Sighes’ are chiefly alluded to in the lore of ancient and legendary times. The ‘Ban-Shighes’ are commonly recognised to be supernatural beings that can often be heard wailing for deaths that are about to occur.

Traditionally it is the males only that appear in the ranks of fairy soldier troops. Fine dressed fairy lords and ladies mingle indiscriminately with other fairy-folk who sing and dance at fairy places in the moonlight. They are, it appears, social beings whose halls are often filled with song and the strains of beautiful, rhythmic music. It is these songs and music that can entrap and transport the souls of mortals, filled with a delicious enthusiasm for the journey. The sounds cause the ear to tingle with excitement as the human listeners to those magical and melodious cadences, which haunt the memory and imagination for a long time afterwards.

In the silver beams of night, we mortals are often granted sight of shadowy troop of fairies as they flit between our eyes and the wildly shining orb that is the moon. He will see, as others have done, that these ‘gentle folk’ are especially fond of singing and dancing at the midnight hour. The wild almost mesmeric strains of their unearthly music can be heard coming from every recess in the ground, within every green hill-side, or tangled wood.

Because of the lengthened daylight hours in summer and autumn the fairy-folk choose not to undertake their usual revels. They seem to feel it is inappropriate on those bright nights to gather and conduct their dancing parties in the secluded vales, or on the lush green banks of streams where the gurgling water trickles along the sheltered courses. On occasion they choose to gather near the ivied walls of old castles, beside a lake or river, or quite often in the gloomy environment of a graveyard, under the walls of its ruined church, or over the cold, lonely tombs of the dead.

Generally, it is harvest time that appear to be the best time of the year to give us frequent glimpses of our Irish fairy-folk. But, at these times, it is also important that we remember our Irish fairy-folk are very jealous of their privacy and they take great exception to any mortal intrusion into their lives. It I not unknown for them in fact, to wreak vengeance on all those people who dare intrude into their gatherings without permission.

Tradition informs us that the wild harmonies that we hear carried on soft, gentle breezesLeprechaun are truly the murmuring musical voices of the fairy-folk as they travel from place to place. Their contests and celebrations may continue through the dark hours of the night, but the first glow of the morning sun provides them with a signal for all their festivities to cease. It is then that the fairy-folk return to their shady raths, deep caverns, rocky crevices, or old grass covered barrows, where their fabled dwellings are concealed from prying human eyes. When they arrive at, or depart from, any particular spot their quick movements through the air create a noise that resembles the loud humming of bees as they swarm to and from a hive. Sometimes we can see a whirlwind that lifts soil and loose leaves into the air, but these are also known to be raised by the passing of a fairy clan.

Some fairy-folk are heard and seen while they are out hunting, blowing their horns, cracking their whips, shouting their “Tally-Ho!”, while their horses’ hooves thunder in the air, and their dogs cry out as they chase their quarry over the land. These fairy-folk are better known as ‘Cluricaunes’ and they turn the rushes and the ‘boliauns’ (Ragwort) into fine horses. When the fairies sit astride these mounts they gallop in the hunt, or transport them in a body, or troop, from one place to another. Over hedges and ditches, walls and fences, brakes and briars, hills and valleys, lakes and rivers, they sweep with incredible speed and an airy lightness.

The strange sounds that are caused by crackling furze blossoms are often attributed to a fairy presence. They like to shelter beneath clumps of gorse thickets, because they love the scent that comes from their flowers, and they create trackways that will make passage much easier through the wiry grass that grows around the roots of these bushes. From out of the yellow cup-leaved blossoms they sip the sweet dew collected there. At the same time, the fairy-folk refresh themselves by sucking the dew drops from other leaves and flowers. They are so light-footed when they are dancing, in fact, that these de drops are scarcely shaken off, even during their wildest exertions.

Filled with a great passion and eagerness for music and dancing, the fair-folk will spend the entire night, without even stopping to take a breath, at their favourite jigs and reels. They will glide around the space in lines and in circles, dancing with each other using a great variety of steps and postures. Usually they are dressed in green clothes of various shades and hues, or sometimes they are dressed in white and silver-spangled clothing and wearing high-peaked or wide-brimmed scarlet caps on their heads. In the light of the moon they can be seen under the shade of thick, ancient oak trees, dancing on or around large globular toadstools, or umbrella-shaped mushrooms.

Interestingly, we rarely find our Irish fairy-folk regularly employed in any industrial pursuits, except for those that can be chiefly conducted indoors and do not take much exertion on their part. Their efforts are used in creating items pleasing to young Irish girls, or thrifty housewives, but their scarcity is evidence of the amount of effort put into creating them. For the fairy-folk, however, it is pleasure and social enjoyment that are the delights that chiefly occupy their time, much as it does with various elements in our society. Yet, there is no need to be envious of these folks for it is only at a distance that the fairies appear to be graceful or handsome, although there clothing is always made from rich material of a fine texture.

It appears to be the habit of the Irish fairy-folk to frequently change shape, which allows them to suddenly appear and, just as suddenly vanish. Surprisingly, these elven-folk when you look closely at them, are generally found to be aged looking, withered, bent, and to having very ugly features. This is especially true of the men, while the female of the species are endowed with characteristics that give them a rare beauty in many areas and to these the little men always pay the greatest attention. But, because of their appearance, ordinary Irish people believe that they are a mix of human and spiritual natures. It is said also that their bodies are not solid but are made from some substance that we mortals are unable to feel when we touch.

It is generally agreed that these gentle-folk are filled with benevolent feelings or great resentment, depending on the circumstances of the moment. Although, during the day, these folk are invisible to humans they continue to see and hear all that takes place among men, especially when it concerns those matters in which they have a special interest. Cautious people are always anxious to ensure that they have a good reputation among the fairies and do all in their power to maintain a friendly relationship with them. It is a deeply held belief that the only means of averting the anger of the fairy-folk is always to be mannerly and open minded. This means taking care in all the actions you undertake, for example you should not strain potatoes, or spill hot water on, or over the threshold of a door because thousands of spirits are said to congregate invisibly at such a place, and to suffer from such careless actions. It was once common for a drinking person to spill a small portion of draught on the ground as an offering to the ‘good-people’.

The ordinary Irish folk have formed an ill-defined belief that the fairy-folk are like the fallen angels, in that they were driven from a place of bliss and condemned to wander this earth until the final day of judgement. The fairies themselves are believed to have doubts about their own future condition, although they do have high hopes of one day being restored to happiness. A mixture of good and evil balances their actions and motives, making them as vindictive in their passions as they are frequently humane and good in what they do. It is not unknown, for example, that desperate battles do take place between opposing bands that are hostile to each other. They meet, like the knights of old, armed from head to foot for combat. The air, witnesses have said, bristles with their spears and their flashing swords, while their shining helmets and bright red coats gleam in the bright sunshine.

Lady Betty – The Hangwoman

The following is an old tale, whose source I do not know. The problem is that we do not know if it is true or simply another superstition.

The old jail of Roscommon stood, and, although now converted to other purposes, still stands in the market-place, in the centre of the town. It is a very high, dark, and gloomy-looking building, with a castellated top, like one of those ancient fortresses that we have often seen tower above the houses in many of the cities on the Continent. It can be seen from a great distance outside the town and, when added to the very extensive ruins of ‘O’Connor’s Castle’, in the suburbs, as well as the beautiful abbey that sits on the other side of the town, it appears to be another example of architecture that had been constructed during the middle-ages.

Roscommon JailThe fall from the gallows at Roscommon jail was considered by many to be the highest ‘fatal drop’ in Ireland. It consisted of a small doorway at the front of the building’s third storey, with a simple iron beam and pulley above. The gallows stage upon which the condemned stood awaiting execution was merely a horizontal door that was hinged to the wall beneath. When the appointed execution time arrived, this door was let fall by means of a sliding-bolt, which was pulled from the main wall, and the condemned person was consequently hanged. This elevated platform of execution was a fearful sight to behold for the folk of the town, and it was a unique in its construction. However, the gallows were no more unique than the person who acted as executioner and carried out their duty on that platform. This was no decrepit wretch of a human being, or a crime-hardened ruffian. Neither was it one of those secret and mysterious personages, who were occasionally produced by the authorities, disguised by mask or hood, to undertake this dreadful trade in public. Removing the most likely candidates for the role, you might wonder who was left that would not recoil from the unpleasant and terrible actions that were carried out on these high gallows. In fact, it was a female! She was a middle-aged, stoutly built, dark-eyed, swarthy-complexioned, but by no means forbidding-looking woman. She was widely known as ‘Lady Betty’, who carried out the final judgement and was regarded as the unflinching priestess of the executive for the Connaught circuit court for many years, with Roscommon being her main place of business.

Children born or reared in County Roscommon, two centuries ago, would often be frightened, when mischievous, into ‘being good,’ and going to sleep, and not crying when left alone in the dark, by the promise of a visit by a ‘Pooka’, or, by being told Lady Betty would get them. There is little firm evidence of ‘Lady Betty’s’ life and what we have learned about her is mostly hearsay. We are told that she was a person who had a very violent temper, although her manners were said to be rather above those of the common folk, and she was supposed to have possessed some formal education. It was rumoured that she was born and raised in the County Kerry, and that by her harsh treatment of her only son she drove him away from her at an early age. Apparently, he enlisted in the army and, after many years, he returned with a small fortune in his pocket, which he had gained through his many campaigns. On his return home he knocked at his father’s door and asked if he could get a night’s lodging. It appears that he was determined to see for himself whether the brutal mother he had left behind had in any way repented for what she had done. He wanted to know if she had softened her ways over the years before he would consider revealing his identity. He was brought into the house but was not recognised by anyone. The mother, however, discovered that the ‘stranger’ had quite a bit of money on him and during the night, as the man slept, she coldly murdered him. The crime was quickly discovered, and the wretched woman was sentenced to be hanged. She had to share the ‘dock’ along with the usual sheep-stealers, ‘Whiteboys’, thieves, and ruffians who had ham-strung cattle. Such criminals were usually brought into the dock seven or eight at a time and were invariably executed within twenty-four-hours after being sentenced by the court. But, on this occasion, no executioner could be found despite the best of efforts. The local sheriff and his deputy, considering themselves to be men of refinement, education, humanity, and sensibility, would not carry out such an odious duty. They maintained this attitude although it was a part of the office they had sworn to undertake, and for which they received payment. The wretched, murderous woman was the only person in the jail who could be found to perform the executions, and under the name of ‘Lady Betty’ she carried them out without mask or disguise. For many years after this she officiated as hangwoman and she used to publicly flog criminals in the streets, as a part of her office. There are numerous stories told about this woman’s exploits and we have not enough room here to relate them all. But we can mention one extraordinary feature of her character, which was the habit she had of drawing portraits of all those whom she had executed on the walls of her room with a burnt stick.

Anne Maria Carew

The following inscription was found in on a tombstone in the churchyard of Youghal that marks the grave of Anne Maria Carew, who died at the young age of 24 years.

’Tis ever thus, ’tis ever thus, when
hope hath built a bow’r
Like that of Eden, wreathed about
with many a thornless
flow’r,
To dwell therein securely, the self-
deceivers trust—
A whirlwind from the desert
 comes, and all is in the dust.

’Tis ever thus, ’tis ever thus, that
when the poor heart clings
With all its finest tendrils, with all
its flexile rings,
That goodly thing it cleaveth to so
fondly and so fast,
Is struck to earth by lightning, or
shattered by the blast.

’Tis ever thus, ’tis ever thus, with
beams of mortal bliss,
With looks too bright and
beautiful for such a world as
this,
One moment round about us their
angel light wings play;
Then down the veil of darkness
drops, and all is passed
away.

’Tis ever thus, ’tis ever thus, with
creatures heavenly fair,
Too finely formed to bear
the brunt more earthly natures
bear—
A little while they dwell with us,
blest ministers of love,
Then spread the wings we had not
seen, and seek their homes
above.

(Unknown Author)

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Jim

Beggars

This is a tale of Famine Ireland in a time when a Viceroy of the British crown ruled in Dublin and the peasant Irish were dying because they could not afford to eat. They called it a famine but there was plenty of food under British control and they refused to release it to feed the millions that starved throughout Ireland. There were beggars in the towns trying to get enough to feed themselves and their children, but they were not wanted and great efforts were made to remove them. As far as the authorities were concerned it was better to have those starving people out of sight and out of mind.

In the towns the authorities used the offices of the ‘Poor-House’ and the police force to considerably reduce the presence of the Irish peasant beggars. But, in the countryside and remote mountain areas ‘the beggar’ had become and still remained an institution. The peasant beggars abhorred the very idea of the ‘Workhouse’ because of its slave conditions and lack of hygiene, brutal discipline, and backbreaking work. The British put such abhorrence by the peasantry as their inherent stubbornness. It was said they preferred any amount of suffering to confinement, enforced hygiene, and the discipline involved. But, what free man does not prefer the fresh air and freedom to choose, rather than the bars of a jail and being beaten into submission. The following gives a view of the Irish Catholic Peasantry of famine times as seen by those paid allegiance to the British Crown.

It is often reported in commentaries of the time that the Irish poor are indifferent to the basic comforts of life, preferring a more barbaric way of life. It was said that they love freedom, sleeping under a hedge or under the sky eating what and where they can. They were said to be like the dog that preferred freedom and getting the odd scrap of food, to the good feeding and luxurious living conditions of his tied-up friend.

A wretched old beggar woman, decrepit and barefoot, appeared on the front-door stepsbeggars 2 of a house that she was in the habit of visiting. Those who would give her money would try to convince her to enter the poorhouse for her own good, but however delicately they approached the subject the old woman would reject any suggestion of entering such a place.

“Now, Biddy, it is all very well to go about the place in summer, but in this bitter wintry weather, would you not be better to go where you would have a good bed and shelter, be warm, fed, and comfortably clothed. It can’t be good for you to be shivering with the cold in ragged clothes, and always hungry. Sure, why not try it only for a wee while, you know, until summer comes back? Go on, Biddy, why not try the poorhouse?”

“The poor house!” she cried out angrily. “Sure I’d rather die than go there! I’d rather lie down under the snow at the side of the road and die! But sure the neighbours will help me. There isn’t one that will refuse me a seat by their fireside, or a bed for the night, or maybe a bite and sup of an odd time. And you’re going to give me something yourself, my lady, darling, you are! Don’t I see it in your face? You’re going to bring out the dust of dry tea and the grain of sugar, and the couple of coppers to the poor old granny. Ah yes! And maybe the maids will have an old cast-off petticoat to throw to her, for to keep the life in her old carcase this perishing day.”

It must be said that before the famine of 1845, which brought about a change in the food of the Irish peasant, systematic begging was an annual custom. Potatoes were then the sole food of the peasant classes, and the farmers paid their labourers by allowances of potato-ground measuring a half or quarter acre, and with seed to till it. Money, therefore, was not very often circulated among the peasantry. There was usually and interval of some six weeks between the eating of the last of the old potatoes and the coming in of the new potatoes. This was known as “The Bitter Time” and there was always some privation and distress to be suffered. In such times entire families might leave their cabin, locking the door behind them, and be seen walking the country roads, while the father would go ‘harvesting’ or getting work where he could. As the family went along the roads, stopping at every cabin on their route, a few potatoes would be handed to them, depending upon the stock the donors held. Often, by nightfall, the bag carried on the mother’s back would have enough potatoes to provide a good meal for the family. By such means they continued to survive until the new potatoes were fit to dig. At that time the cabin-door would be unlocked, and plenty of food to eat was once again the order of the day.

In those days, as well as the present, the charity of the poor to the poor in Ireland is widespread and very touching. The people of our country are famed for their good-natured ways and kindly impulses. Moreover, they attach a superstitious, almost religious value to the blessing of the poor, with an equal dread of their curse. There is a story concerning a fatal instance of the latter feeling, which occurred many years ago near the city of Limerick.

A young man fell in love with a girl, but she did not return his affection, and plainly told him that it would be useless to persevere in his pursuit, because she could never care for him. He was broken-hearted by his failure and, fleeing the country, he went to America. The young man’s mother had lost her only son, her pride and joy, and her only support. Being a widow she was maddened with rage and despair at what had happened. The bereaved mother gathered her things and went straight from the ship to the young woman’s house. There she knelt down upon the threshold and, stretching her arms skyward, she called down Heaven’s vengeance on the young girl. With frantic movements she called down terrible curses upon the girl’s head.

By the broken heart of her son; by the widow’s hearth made desolate; by the days and nights of lonely misery before her, she cursed the girl! The young girl was totally appalled by the widow’s bitter words and was superstitiously convinced that her terrible curses would grievously affect her life. She never recovered from the terror and the shock to her nerves of this vindictive assault upon her. The young woman’s health went into a rapid decline, haunted by the old woman’s dreadful curses, and her death confirmed the popular belief in such things.

We can now return to our subject of beggars. Although the use of Indian-corn meal and griddle-bread as articles of food in place of the exclusive potato helped reduce annual begging migrations. The other factors brought into play were an increased wage and the payment of labour in cash instead of kind. The annual scene of beggars moving along the roads soon disappeared, but beggars were still to be found, especially in the tourist season when they would once again be as numerous as flies in summer, and equally troublesome.

Once there was a party of English clergymen visiting Killarney’s beautiful Lake District where they were pestered by beggars, as most travellers usually were. These reverend gentlemen had, for greater convenience, decided to wear less formal clothing, except for one who preferred to wear his clerical outfit, with all its adornments. But, his choice caused him to be mistaken by the local peasants as a Roman Catholic priest wherever he went. He was very startled in the town of Tralee, when a girl threw herself down on her knees before him in the muddy street to ask for his blessing. The abject obeisance of the people to their priests in those days was not a sight to which an English clergyman was accustomed. He did, however, soon become accustomed to the position and even used it for the benefit of the entire group. They were tormented on one occasion the crush and cries of a crowd of beggars who followed them, and the English clergyman stopped quite suddenly. Drawing a line across the road with his walking stick, the clergyman told the followers, “Pass that mark, and the curse of the priest will be upon you!” In an instant the entire crowd of beggars had fled.

On another occasion this same clergyman used what he had learned in the cause of humanity. The party were travelling by jaunting car and, as they travelled up a steep hill, the driver began flogging the horse unmercifully.

“My friend,” said the clergyman, addressing the driver, “Do you know what will happen to you, if you do that, when you go to the next world?”

“O no, your Reverence. And sure how could I know that? What is it now?” pulling off his hat and looking very frightened.

“You will be turned into a horse, and devils will be employed to flog you, just as you’re now flogging that poor beast of yours.”

“Ah, don’t, yer Reverence! Don’t say that now! For the love of God, sir, don’t! And I’ll promise on my two knees to give him the best of treatment from this onward, and never to lay the whip into him that way again.”

For those of you who have witnessed the beggars in towns, you will undoubtedly agree that their remarks are often very caustic. They also indulge in personalities in a way more witty than polite, when they are unsuccessful in their demands. A late but very well-known Fellow of Trinity College, Dublin, was remarkable for having a peculiarly shaped and very ugly nose. On one occasion while resisting the pleas of a woman for “a ha’penny for the honour of the blessed Virgin,” she turned upon him. “May the Lord forgive you! And may He may preserve your eyesight, for truly you have a terrible bad nose for spectacles.”

Another spiteful old hag of a woman came at a well known member of the aristocracy for alms, after following him down the entire length of what is now O’Connell Street. The baronet had tender feet, which with several other infirmities caused him to walk not to gracefully. “You won’t give it, won’t you?’ the woman cried out in an angry whine. “Well then, God help the poor! And look now, if your heart was as soft as your feet, it wouldn’t be in vain we’d be asking for your charity this day.”

“That the ‘grace of God’ may never enter into your house but on parchment!” was the terse and bitter curse in which another old woman gave vent to her wrathful disappointment. She knew that all writs were written on parchment, and had probably learned the formula with which they commence from cruel experience, “Victoria, by the grace of God, Queen, &c.”

There is, of course, the story of Captain Chevely and his meeting with beggars in Mullingar. When he was about to be quartered with his troop of men in the town, he was told by a friend that the place was infested with beggars. He was also told that his predecessor, the commanding of the previous troop, had been greatly annoyed by them. Chevely listened attentively and resolved to take measures to deal with the problem. On the night of his arrival at the hotel he summoned the waiter and said, “I am reliably informed that you have a great many beggars in this town.”

“Yes sir! We certainly have,” replied the waiter.

“I wish to see them all of them, collected together under the windows of this hotel. Do you think that could be managed?”

“Yes, if you wish, sir,” said the man, with the usual waiter-like readiness to promise everything under the sun, albeit he was a little taken aback by so unusual a request.

“Very well, let them be all here to-morrow at twelve o’clock precisely.”

It was a motley assembly of rags and wretchedness that was presented beneath the hotel windows the next day. The news had spread like wild-fire, and from every lane and alley of the town they came crowding in. There was the blind, the lame, the maimed, the aged beggars, deformed, idiots, and the idle in all their varieties. Curiosity and greed were equally on their minds, and the excitement of the eager crowd may be imagined. Then, when the captain appeared on the hotel balcony, a breathless silence came over the crowd.

“Are you all here?” he asked, “every one?”

“Every mother’s son of us, if it pleases your honour, except for Blind Bess with her crippled son, and the General.”

“Then call Blind Bess and the General,” instructed the captain. “I want you all here.”

“Sure enough, here’s Bess,” cried a voice, as a large fat beggar in the shape of a blind woman, with a sturdy cripple strapped on her shoulders, came in a hurry.

“And here’s the ‘General’ driving like a mad man up the street. But sure your honour won’t give him anything—a gentleman that keeps his carriage!” shouted a joker in the crowd. Coming along the street was a dilapidated old hand-cart, being dragged by a girl. It was covered at top with a piece of tattered oil-cloth, and from a hole cut in the middle of this protruded the head of ‘the General’, on which sat what remained of an old cocked-hat. The shrivelled face of the old cripple was half covered with a grizzly beard, and his rheumy eyes peered helplessly about in a feeble stare.

“Now,” said the captain, “ladies and gentlemen”. At this there was a murmur in the crowd, especially among the females.

“Ah then, bless his darling face, it is him that has the civil tongue in him, and knows how to speak to the poor!”

There’s not a bit of pride in him. No more than in an unborn baby!

“Sure anyone would know he was good man, you just have to look at him! Isn’t it written upon his features?”

“He’s no old misery like the one that was here before him, that old bastard never gave a poor man as much as a dog would keep in his fist.”

“Ladies and gentlemen, you are, I am told, all assembled here. I have requested your attendance in order to state that I have given, for your benefit, one pound to the parson, and one pound to the priest of the parish. And I further inform you that during my stay in Mullingar, not a single farthing beyond these sums will I bestow on any one of you!”

A howl of disappointment arose from the assembly, but the captain did not wait to note the effect of his words. He disappeared into his room in time to be out of reach of the chorus of abuse, which his enraged audience hurled at him after they got over their first surprise over—his speech.

Anne Maria Carew

The following inscription was found in on a tombstone in the churchyard of Youghal that marks the grave of Anne Maria Carew, who died at the young age of 24 years.

’Tis ever thus, ’tis ever thus, when                                  Anne Maria Carew

hope hath built a bow’r

Like that of Eden, wreathed about

with many a thornless

flow’r,

To dwell therein securely, the self-

deceivers trust—

A whirlwind from the desert

comes, and all is in the dust.

 

’Tis ever thus, ’tis ever thus, that

when the poor heart clings

With all its finest tendrils, with all

its flexile rings,

That goodly thing it cleaveth to so

fondly and so fast,

Is struck to earth by lightning, or

shattered by the blast.

 

’Tis ever thus, ’tis ever thus, with

beams of mortal bliss,

With looks too bright and

beautiful for such a world as

this,

One moment round about us their

angel light wings play;

Then down the veil of darkness

drops, and all is passed

away.

 

’Tis ever thus, ’tis ever thus, with

creatures heavenly fair,

Too finely formed to bear

the brunt more earthly natures

bear—

A little while they dwell with us,

blest ministers of love,

Then spread the wings we had not

seen, and seek their homes

above.

 

(Unknown Author)