Paddy M’Dermot was one of the most popular boys in the entire county and such was his popularity that there was hardly a fair or a festival that did not have him in the middle of it. In fact, just like a bad penny, Paddy turned up everywhere and it was very rare that his poor little farm was sowed in season, and where barley was expected to grow, there grew nothing but weeds. It was through this young man’s complete lack of industry that money became a scarce commodity in Paddy’s pocket. Then, the cow was sold after the pig, and nearly everything that he had followed the same path.
Paddy’s luck changed one night as he lay in a deep, drunken sleep in the Rath of ‘Moneyrack.’ As he slept he was visited by a beautiful dream that showed him he was lying in a spot that covered a pot of money, which had been buried there in ancient times. But, Paddy remembered every detail of his vision despite his high level of intoxication, and he told no other person about what he had seen. The next night he gathered a spade and a pickaxe from the barn, and into his pocket he placed a bottle of holy water. Armed in this way, Paddy made his way to the Rath and, after circling the place for a moment or two he began to dig.
‘Ah now, Paddy McDermot, be easy now,’’ said the greyhound; ‘don’t I know very well what you are looking for?’
‘Well then, if you do know, I may as well tell you at once, especially since you seem to be a civil-looking gentleman, that does not think it is below him to speak with a poor eejit like myself.’ Anyone could immediately detect that Paddy wanted to butter-up the stranger a little.
‘Well then,’ said the greyhound, ‘come out here and sit down on this bank.’
Like a damned fool, Paddy did as he was asked, but had hardly put his foot outside of the circle he had made with the holy water, when the beast of a greyhound set upon him, and drove him out of the Rath. Paddy was frightened, as well he might, at the fire that flamed from the hound’s mouth. Nevertheless, he returned the next night, certain that the money he sought was in that Rath. As he had done before, Paddy made a circle with the holy water and again hit the hidden object with the pick-axe. Once again, the strange greyhound appeared in the same place he had the previous night. ‘Oh ho,’ said Paddy, ‘you are here again, are you? Well, let me tell you that it will be a long day before I allow you to trick me again.’ Then, he lifted his pick-axe and made another stroke at the hidden object.
‘Well, Paddy McDermot,’ said the hound, ‘If it is just the money you’re after, tell me how much would satisfy your needs?’
Paddy scratched his head while he thought for a few moments. Then, looking the greyhound directly in the eye he asked it, ‘How much will you give me?’ He was still in fear of the greyhound but tried hard not to show it.
‘Just as much as you would consider reasonable, Paddy M’Dermot,’ said the greyhound craftily.
‘What?’ said Paddy to himself, ‘there’s nothing like asking enough. But, how much is enough?’ Then, turning to the greyhound he said, ‘Say fifty thousand pounds!’ He could have asked or more, for I am sure the old devil had enough to cover the bill.
Without a moment’s hesitation the greyhound said, ‘You shall have it!’ Then, after walking away a little distance, the hound came back with a crock filled with golden guineas between its paws.
‘Come here and count them for yourself,’ said the spirit dog. But Paddy knew what the old devil was up to him and didn’t move an inch from where he was. The crock was now shoved alongside the holy water circle, and Paddy quickly pulled it into his arms with the greatest of pleasure. He was so excited that his feet never stopped moving until he reached his own home, where he that the golden guineas had been transformed into bits of bones. His old mother, when she saw what her son had brought home, burst into uncontrollable laughter. Paddy now swore that he would get his revenge against the deceitful spirit dog, and he returned to the Rath the next night, where he met the hound again.
‘So, Paddy you are here again?’ the hound asked, somewhat amused.
‘I am, you dirty blackguard,’ said Paddy, ‘and I won’t be leaving this place until I pull out the pot of money that’s buried here!’
‘Is that right?’ asked the hound. ‘Well, Paddy M’Dermot, since you’re so brave and full of adventure I will make up what you are owed if you would walk downstairs with me out of the cold.” Paddy looked around and saw that it had begun to snow quite heavily.
‘May I never see home again if I follow you,’ replied Paddy, ‘All you want me for is to wear me down with old bones, or perhaps break my own, which would be just as bad.’
‘I promise,’ said the hound, ‘I am your friend, Paddy, so don’t just stand there. Come with me and your fortune is made. If you stay here, you’ll die a beggar-man.’
So, one word followed another until Paddy finally agreed. In the middle of the Rath a beautiful staircase opened up and they began to walk down it. After winding and turning they came, at last, to a house, which was considerably grander than the houses of many aristocrats, in which all the tables and chairs were made from solid gold. Paddy was delighted and, after sitting down, a fine lady handed him a glass of something to drink. But, he had hardly swallowed a spoonful when all around set up a horrid yell, and those who had appeared beautiful before now looked like what they truly were–enraged ‘fairy-folk’.
Before Paddy could even bless himself, they seized him by his legs and arms, carried him out to a great high hill that stood like a wall over a river, and flung him down. ‘Murder!’ cried out Paddy, but it was already too late. He fell upon a rock and lay there as if he was dead until the next morning, when some people found him in the trench that surrounds the mote of Coolhill, the ‘good people’ having carried him there. From that moment until the hour of his death, Paddy was one of the great wonders. He walked doubled-over and had his mouth where his ear should be.
There was a time, and not too long ago, that the people were immersed in fairy-lore and superstitions. In our twenty-first century such things are laughed at, being considered simple superstition and old fashioned. Today, it is not considered ‘cool’ to talk about fairies and, in some circles, the word has a quite different and denigrating meaning. But, there are Irish people who believe in the ‘Fairy-World’ and the great things they are alleged to be able to do, and its on our knowledge of this world and its folk that others depend.
Evening time, as every Irish man and woman knows, is usually the period of the day when the fairy-folk choose to move from their raths and dells to new places of habitation. Furthermore, evening is the time usually selected by the fairies to indulge in their past-times and celebrations. There are many first-hand records from people who have seen the fairy-folk and witnessed the various frolics in which they indulge. From such records and witnesses has come the poetic and popular imagery that unites all to give us the depictions we have today.
The earliest records suggest that the most ancient and earliest settlers in Ireland were known as the ‘Tuatha de Danaan’. It is these ancient people who are thought to have been the first practitioners of druidism that brought natural and spiritual magic together. Tales tell us that these ‘Tuatha de Danaan’ were transformed into the fairy-folk at some remote time in the history of this island. It was at that time, too, that they were forced to live in underground places, within green hill-sides, raths and cairns. They were spread out in such numbers that even our most remote romantic dells and woodlands have become their most favoured haunts and are called by we mortals as ‘Gentle Places’. Moreover, it is known that these ‘Gentle Folk’ are also fond of living on the banks and little green hillsides that often lie beside gently flowing streams.
There must have been an enormous number of raths covering Ireland in those far-off times. This is evident from the large number of raths that remain, but the case is made stronger by the fact that the compound word Rath, Raw, Rah, Ray, or Ra is constantly connected to the names of over a thousand various localities within Ireland. It is known that the fairy-folk enjoy getting together in these places, but it has proved difficult to gather accurate information concerning the social life of such folk, including what amuses them most and what their leisure pursuits are.
Music, it appears, is one of their most favourite amusements and their music can be heard beside the raths on most fine evenings. But, the beauty of this music has a type of ‘syren’ effect upon mortals, which causes them to linger and listen to these delightful melodies. While danger may be very close at hand, the mysterious, magical music makes them oblivious to anything other than its entrancing strains. Occasionally, the mortals may find themselves benefitting from their encounter with the fairy-folk, who may heap gifts upon mortal beings. Such gifts may cure both men and women of their infirmities and diseases, while removing any deformities they may have, and ensuring that they do not encounter any disagreeable accidents or misfortunes. The fairies are also known to pass on their supernatural power to both men and women, and invisibly assist them in many aspects of their lives.
At the same time, it has not been unknown for fairies to have a malevolent and mischievous disposition. They have been known to abduct mortals on a frequent basis, so that they can serve some selfish and degrading service for their captors. It has been known for fairies to bring a sudden stillness to the energies of mortals and ruin any of their prospects for worldly happiness. Occasionally, it is believed, they chose to leave people with their life-long illnesses, inflicting sorrow and pain on individuals and families alike. ‘Fairy Doctors’ would often prescribe an offering of ‘Cow’s Beestheens’ (some of the thick new milk given by a cow after calving) to be poured on a rath, which is supposed to appease the anger of the offended sprites. There were, indeed, many similar practices that were considered by the ‘Fairy Doctors’ to be no less potent when they are correctly used.
Sig, or Síghe (Pron: Shee) is an Irish word that is used as the generic title that is applied to the fairy, or fairy-folk. They are spread throughout the entire island, and the nearby nations of Scotland, Wales and England, where they more commonly known as fairies, elves, or pixies. The male fairy is known as the ‘Fear Shee’, while almost every person recognises the ‘Banshee’ as being the woman fairy. There have been occasions when the term ‘Mna Shee’, or women fairies, has been used in certain circumstances to describe certain of the ‘Little People’.
It must be made clear, however, that the ‘Fear Sighes’ are chiefly alluded to in the lore of ancient and legendary times. The ‘Ban-Shighes’ are commonly recognised to be supernatural beings that can often be heard wailing for deaths that are about to occur.
Traditionally it is the males only that appear in the ranks of fairy soldier troops. Fine dressed fairy lords and ladies mingle indiscriminately with other fairy-folk who sing and dance at fairy places in the moonlight. They are, it appears, social beings whose halls are often filled with song and the strains of beautiful, rhythmic music. It is these songs and music that can entrap and transport the souls of mortals, filled with a delicious enthusiasm for the journey. The sounds cause the ear to tingle with excitement as the human listeners to those magical and melodious cadences, which haunt the memory and imagination for a long time afterwards.
In the silver beams of night, we mortals are often granted sight of shadowy troop of fairies as they flit between our eyes and the wildly shining orb that is the moon. He will see, as others have done, that these ‘gentle folk’ are especially fond of singing and dancing at the midnight hour. The wild almost mesmeric strains of their unearthly music can be heard coming from every recess in the ground, within every green hill-side, or tangled wood.
Because of the lengthened daylight hours in summer and autumn the fairy-folk choose not to undertake their usual revels. They seem to feel it is inappropriate on those bright nights to gather and conduct their dancing parties in the secluded vales, or on the lush green banks of streams where the gurgling water trickles along the sheltered courses. On occasion they choose to gather near the ivied walls of old castles, beside a lake or river, or quite often in the gloomy environment of a graveyard, under the walls of its ruined church, or over the cold, lonely tombs of the dead.
Generally, it is harvest time that appear to be the best time of the year to give us frequent glimpses of our Irish fairy-folk. But, at these times, it is also important that we remember our Irish fairy-folk are very jealous of their privacy and they take great exception to any mortal intrusion into their lives. It I not unknown for them in fact, to wreak vengeance on all those people who dare intrude into their gatherings without permission.
Tradition informs us that the wild harmonies that we hear carried on soft, gentle breezes are truly the murmuring musical voices of the fairy-folk as they travel from place to place. Their contests and celebrations may continue through the dark hours of the night, but the first glow of the morning sun provides them with a signal for all their festivities to cease. It is then that the fairy-folk return to their shady raths, deep caverns, rocky crevices, or old grass covered barrows, where their fabled dwellings are concealed from prying human eyes. When they arrive at, or depart from, any particular spot their quick movements through the air create a noise that resembles the loud humming of bees as they swarm to and from a hive. Sometimes we can see a whirlwind that lifts soil and loose leaves into the air, but these are also known to be raised by the passing of a fairy clan.
Some fairy-folk are heard and seen while they are out hunting, blowing their horns, cracking their whips, shouting their “Tally-Ho!”, while their horses’ hooves thunder in the air, and their dogs cry out as they chase their quarry over the land. These fairy-folk are better known as ‘Cluricaunes’ and they turn the rushes and the ‘boliauns’ (Ragwort) into fine horses. When the fairies sit astride these mounts they gallop in the hunt, or transport them in a body, or troop, from one place to another. Over hedges and ditches, walls and fences, brakes and briars, hills and valleys, lakes and rivers, they sweep with incredible speed and an airy lightness.
The strange sounds that are caused by crackling furze blossoms are often attributed to a fairy presence. They like to shelter beneath clumps of gorse thickets, because they love the scent that comes from their flowers, and they create trackways that will make passage much easier through the wiry grass that grows around the roots of these bushes. From out of the yellow cup-leaved blossoms they sip the sweet dew collected there. At the same time, the fairy-folk refresh themselves by sucking the dew drops from other leaves and flowers. They are so light-footed when they are dancing, in fact, that these de drops are scarcely shaken off, even during their wildest exertions.
Filled with a great passion and eagerness for music and dancing, the fair-folk will spend the entire night, without even stopping to take a breath, at their favourite jigs and reels. They will glide around the space in lines and in circles, dancing with each other using a great variety of steps and postures. Usually they are dressed in green clothes of various shades and hues, or sometimes they are dressed in white and silver-spangled clothing and wearing high-peaked or wide-brimmed scarlet caps on their heads. In the light of the moon they can be seen under the shade of thick, ancient oak trees, dancing on or around large globular toadstools, or umbrella-shaped mushrooms.
Interestingly, we rarely find our Irish fairy-folk regularly employed in any industrial pursuits, except for those that can be chiefly conducted indoors and do not take much exertion on their part. Their efforts are used in creating items pleasing to young Irish girls, or thrifty housewives, but their scarcity is evidence of the amount of effort put into creating them. For the fairy-folk, however, it is pleasure and social enjoyment that are the delights that chiefly occupy their time, much as it does with various elements in our society. Yet, there is no need to be envious of these folks for it is only at a distance that the fairies appear to be graceful or handsome, although there clothing is always made from rich material of a fine texture.
It appears to be the habit of the Irish fairy-folk to frequently change shape, which allows them to suddenly appear and, just as suddenly vanish. Surprisingly, these elven-folk when you look closely at them, are generally found to be aged looking, withered, bent, and to having very ugly features. This is especially true of the men, while the female of the species are endowed with characteristics that give them a rare beauty in many areas and to these the little men always pay the greatest attention. But, because of their appearance, ordinary Irish people believe that they are a mix of human and spiritual natures. It is said also that their bodies are not solid but are made from some substance that we mortals are unable to feel when we touch.
It is generally agreed that these gentle-folk are filled with benevolent feelings or great resentment, depending on the circumstances of the moment. Although, during the day, these folk are invisible to humans they continue to see and hear all that takes place among men, especially when it concerns those matters in which they have a special interest. Cautious people are always anxious to ensure that they have a good reputation among the fairies and do all in their power to maintain a friendly relationship with them. It is a deeply held belief that the only means of averting the anger of the fairy-folk is always to be mannerly and open minded. This means taking care in all the actions you undertake, for example you should not strain potatoes, or spill hot water on, or over the threshold of a door because thousands of spirits are said to congregate invisibly at such a place, and to suffer from such careless actions. It was once common for a drinking person to spill a small portion of draught on the ground as an offering to the ‘good-people’.
The ordinary Irish folk have formed an ill-defined belief that the fairy-folk are like the fallen angels, in that they were driven from a place of bliss and condemned to wander this earth until the final day of judgement. The fairies themselves are believed to have doubts about their own future condition, although they do have high hopes of one day being restored to happiness. A mixture of good and evil balances their actions and motives, making them as vindictive in their passions as they are frequently humane and good in what they do. It is not unknown, for example, that desperate battles do take place between opposing bands that are hostile to each other. They meet, like the knights of old, armed from head to foot for combat. The air, witnesses have said, bristles with their spears and their flashing swords, while their shining helmets and bright red coats gleam in the bright sunshine.