I can recall a wee man who lived in the village of Derrytrask for quite a few years, but almost all his neighbours thought he was a bit of an ‘eejit’ (idiot). If asked, “what made them look upon the wee man as an eejit?”, they would look at the questioner in such a way as if he was not right in the head. Their proof that the wee man was ‘not the full shilling’ was the way that he was so demonstratively fond of music but had never been able to learn to play more than one tune on his ‘Uileann-pipes’. The sole tune that he did play was known as the “Munster Cloak”, which was his party piece in the various bars, and at the local festivities. People would make fun of him as he played his one tune over and over again, but he did earn a few shillings from his ‘recitals’. The money he received, however, helped both the wee man and his widowed mother to pay the rent on their small holding, and occasionally buy some luxuries for themselves, like snuff and a bottle or two of stout.
One warm Spring night the Piper was walking home from a local house, where there had been a bit of a dance. The ‘House Ceilidh’ had been a lively one and like several other attendees he found himself somewhat the worse for wear, because of the whisky and poteen he had taken. As he staggered along the narrow cart track of a road he managed to arrive safely at the little bridge spanning the small stream that flowed close by his mother’s cottage. He decided to stop there for a moment and sit down upon a large flat rock, then he breathed into his pipes’ bag and squeezing it he began to play the one tune that he knew so well, the “Munster Cloak.” As the first musical notes floated into the air he was suddenly grabbed from behind and flung on his back in the middle of the track. In the darkness of the night a ‘Pooka’ had come upon him by surprise. For those readers who may not know what a ‘Pooka’ is, the easiest explanation is that it is a spirit creature which takes on many forms and shapes. This spirit creature, however, possessed long horns and as the Piper regained his senses he took a good, strong grip of them. But, as he grabbed at the strange creature’s horns he cried out with a loud voice, “Damn you to hell, you evil creature. Just allow me to go on my way home for I have a shining silver sixpence in my pocket that is for my mother, and she wants some snuff brought to her!”
Using the horns, the ‘Pooka’ now threw the Piper onto his own back and spoke menacingly to him, “Pay no attention to yourmother, or even to what she wants, but concentrate your mind on keeping your hold on those horns. Remember that if you should fall from my back there is little doubt that you will surely break your neck and smash those pipes you are carrying.” Then, in a softer tone of voice, the ‘Pooka’ asked him, “You could play for me the ‘The Blackbird, for it is my favourite tune?‘”
“Sure, wouldn’t I be the greatest of all pipers if I could play ‘The Blackbird’, when I don’t know it,” replied the Piper with a snigger.
“Don’t you be concerning yourself about whether you know the tune, or you don’t know it!” the ‘Pooka’ snapped at him. “Just you begin playing those pipes of yours and I’ll make sure you play the right tune.”
Although he was deeply frightened, the Piper blew hard into his pipe bag and he began to play such fine music that he began to wonder how this could happen. “By the holy, but you’re a fine teacher,” said the Piper, “and now tell me where you are taking me in such a hurry?”
“There is to be a great feast being held tonight in the house of the Banshee, which stands at the top of Croagh Patrick,” said the Pooka. “I am bringing you to the feast, where you will play your music and be well rewarded for your trouble.”
“Sure, isn’t that a great bit of news, for you’ll save me a journey,” replied the Piper, “Father Tom has told me that I should make the pilgrimage to Croagh Patrick as a penance, because I was the one who stole the big white goose from the Martins’ farmhouse yard.”
But, the Pooka paid no attention to him, put down his head and rushed the piper across hills, the bogs and rough places, until he finally brought him to the top of Croagh Patrick. Then, as they came to a halt, the Pooka struck three blows on the ground with his foot, and a great door opened before them. Without a moment’s hesitation they both passed through the door and found themselves in a large, finely adorned room. There, in the middle of the room, the Piper saw a large golden table, around which sat hundreds of old women, all of whom were staring toward him. One of the old women stood up from her seat and greeted him, “A hundred thousand welcomes to you, Pooka of November. Who is this mortal being that you have brought with you?”
“This mortal is the best Piper in all of Ireland,” said the Pooka, proudly.
One of the old women now struck a blow on the ground and a door opened in the side wall of the fine room. Then much to the Piper’s surprise, he noticed the big white goose, which he had stolen from Martins’ farmyard coming out of the door. “Now this is a miracle,” said the Piper, “for myself and my mother ate every bit of that goose, except for one wing. Sure, it was that one wing that I gave to old ‘Red Mary’, and it was her that told the priest I had stolen the goose.”
The goose now marched over to clean the table before carrying it away, and the Pooka now turned to the piper and urged him, “Play your music for these ladies to enjoy.”
The Piper filled the bag with air and he began to play. He played so well that all the old women took to the floor and began to dance, and they danced so lively until they could dance no more. It was then that the Pooka came forward and demanded that they pay the Piper for his music. Without any complaint each of the old women took a gold piece from their pockets and gave it to him. “By the staff of Saint Patrick,” says the Piper, “sure I’m as rich as the son of any great lord.”
“Now come with me,” asked the Pooka, “and I will bring you back to your home.”
Together they went out of the room and, just as the Piper was about to mount the back of the Pooka, the goose waddled over to him and presented him with a new set of pipes. With the same speed as before the Pooka set off and it did not take him long until he brought the Piper back to Derrytrask. They came at last to the little bridge once again and the Piper dismounted the Pooka, who quietly told him that he should go home. But, before the Piper left, the Pooka told him, “You now have two things that you have never had before. You now have sense and music.”
Hurrying home the Piper was feeling on top of the world, and he knocked loudly at his mother’s door. He called out to her, “Mother, let me in. Your son is as rich now as any lord, and I have become the very best Piper in the whole of Ireland.”
“Ah, you’re drunk again,” replied his mother in disgust.
“No, Mother, indeed I’m not,” insisted the Piper, “Not a single drop of liquor has passed my lips.”
His mother opened the door to him, and he gave her the gold pieces he had received from the old women. “Wait, now,” says he, “until you hear the wonderful music that I can play now.” He quickly buckled on the pipes and began to play them, but instead of sweet music of before there now came a sound as if all the geese and ganders in Ireland were screeching together. The terrible noise that he made wakened all the neighbours, and they all began to make fun of him. Their mocking continued for a while until the Piper put on his old pipes and, from that moment, he played the most melodious music for them. Now that they had heard his music the Piper told them all the great adventure that he had gone through that night and they listened to his story in disbelief.
The next morning, when the Piper’s mother went to look at the gold pieces her son had given her, there was nothing there but the leaves of a plant. Shocked by this news, the Piper went to see the priest and began to relate to him the adventure he had undertaken. But, the priest would not believe a word that he told him, and the Piper decided to give proof by playing the pipes for him. As he did so the screeching of the ganders and the geese began once again. “Get out of my sight, you thief,” the angry priest roared at him. But the Piper would not move an inch until he put the old pipes on him to demonstrate to the priest that his story was indeed true. He buckled on his old pipes, and he began to play the most wonderful and melodious music. From that day until the day of his death the piper’s fame grew and it is still said that there was never his equal as a Piper in all the western part of Ireland.
If ever you were expecting to visit the county of Armagh in the early decades of the nineteenth century, you may have been advised, beforehand, to keep watch for a tall, stout, lazy-looking man, with sleepy eyes and a huge cocked nose. He dragged his feet along as if they were heavy wooden clogs that had been forced upon him by nature. They deliberately restrained his movement rather than helping him move forward as he dawdled along the highways and byways of the county. More often than not, however, he could be caught lounging about a public-house, with a green bag under his arm. That man was Tim Callaghan and you would have been advised to be wary of him and his ways. The following account by a fellow traveller who met with Callaghan will, perhaps, shed more light on the subject –
“When first I met Tim Callaghan, he assured me that he had served seven long years with, as he said himself, ‘as fine a piper as ever put chanter under an arm.’ He said that at the end of that well-spent period he began to enchant the gentry of the county on his own account, being the owner of a splendid set of pipes, and three whole tunes that earned him a good living. This puzzled me for a time and as we chatted quietly I asked him, quite innocently – ‘Isn’t it a pity Tim, that with your fine taste in music and possession of top-class set of pipes you didn’t try to learn a half dozen tunes at least?’
“Immediately, I knew that had annoyed the man by the sulky expression that crossed his face. ‘Oh now, friend,’ he answered me, ‘that very same question has been put to me by dozens of people, before you and I hate to hear it! It was only yesterday that a lady asked me that same question.‘Dear madam,’ said I, ‘did you ever play a tune on the pipes in your life?’ ‘Never, indeed,’ said she, looking a bit ashamed by her ignorance, as she should have been. ‘Because if you did,’ said I again to her, ‘you would soon say, “great job, Tim Callaghan, to get over the three tunes so well, without asking people to do what’s impossible.” And now I appeal to you, Sir, what use is there in complicating people’s brains with six or seven tunes when three does my business just as well?’ After I told him that I could not fault his argument we became very good friends. Being grateful for my patience and forbearance, he eternally murders those three unfortunate tunes for my pleasure. In all honesty I doubt now if I could truly enjoy those tunes being played well, because I have grown so accustomed to Tim’s efforts.
“Tim Callaghan, it must be said, was a politically astute character, and his three tunes were expressly chosen and learnt so as to win over the ears and the acclamation of all denominations of Christian men. Thus, the “Boyne water” is the tune played to please the Protestant audience, while “Patrick’s Day” was just the tune to satisfy an audience of Roman Catholics, and when Tim’s not sure of the creed of the audience he wishes to please, to suit Quakers, Methodists, and other non-conformists, “God save the Queen” is the third tune. For many years he was perfectly content to give these favourite tunes in their original musical purity, but some wicked gobshite, probably another piper, persuaded him that his melodies would be totally irresistible to the audience if he would add some ornamental variations to them of his own choosing. Tim was a man who was unaccustomed to flattery, and so naïve that he would never suspect someone having a joke at his expense. Not surprisingly, then, he jumped at this bright idea, overcame his natural and acquired laziness, and made an effort to add variety in his tunes. When Callaghan thought he had mastered the difficulties of the task, he decided to do me the honour of appointing me as the person to pronounce judgement on his melodious additions. All I shall say about those variations is, let the dumbest eejit that ever looked dreamily down an empty well, listen to Tim Callaghan’s variations, and watch his face while he performs those variations. I promise you the man will require heavy drugs if he would ever get time to sleep for laughing!
“When Tim arrives at the door to a gentleman’s residence, he usually begins to entertain with a suitable serenade, and he will drone away at that until the few pence he receives for piping permits him to leave contented. But if he is kept waiting too long, and he sees that there is no real chance of a reward he becomes furious, and in his anger he will begin to play that one of the three tunes which he believes is the most disagreeable and opposite to the politics of the offender. If the party is a Roman Catholic, he will be unpleasantly shocked, and all his prejudices aroused, by “the Boyne water,” performed with unusual vigour. If the offender is a church-goer, he will never recover from the trauma of “Patrick’s Day,” that is given with an energy that would shatter any goodwill between the parties. Should Tim be asked to play a person’s favourite, or a popular tune, it would be like asking him to stand up and repeat a passage from Homer in the original Greek. If you are lucky he might even give you a civil reply along the lines of, ‘I haven’t got that, but I’ll play one that is as good,’ and one of his trio of tunes would follow. If the customer is keen on something new being played he could find himself cut short with, ‘Who do you think you are to telling me what to play. Anyone else, better even than you, would be content with what I gave you and reward me handsomely’.
“The first occasion that I had the pleasure to see and hear Tim Callaghan, was in the middle of the dark and dreary winter, and in a quiet country home of a local minister. It was so quiet, in fact, that even the vile screeching of a tin whistle would have been welcomed until we had something better. You can imagine the joy we felt when the inspiring drone of the bagpipe caused our ears to prick to attention and expectation! The Minister’s servants were excited, noisily expressing their absolute delight, and in asking the minister to permit the piper be brought into the house and play the pipes. Their request was granted, the minstrel was allowed in, and seated in the hall. Well, Tim’s first tune in the minister’s house was, of course, ‘the Boyne’, which he played with a great spirit. Moreover, he played very accurately on the whole, with the exception of a few rather essential notes that he omitted as being unnecessary and troublesome, or, some servants believed, because his fingers were so cold. Finally, Tim was led into the kitchen, where they seated him opposite a blazing fire. ‘Now he’ll play in earnest!’ they cried out with one voice, and they all gathered around him in expectation of more music.
“Tim was now in the house of someone he considered to be in the lower levels of the gentry, but he was willing to please all requests and conditions. Hesistation came when he began to wonder whether he shall repeat the ‘Boyne,’ or begin to play all-enlivening ‘Patrick’s Day.’ In an attempt to gain an answer he turned to a little boy who was gaping with wonder at the grand pipes that Tim was holding. ‘What religion are the servants?’ he asked the boy
‘They are of all sorts, sir,’ whispered the little boy, Tommy in reply, blushing all over because the piper had taken notice of him.
‘Of all sorts!’ muttered Tim and instantly decided, with much solemnity of face to play ‘God save the King.’
“The butler listened awhile with his expert’s ear. ‘You’re a great performer on the pipes!’ he told Tim at length, and with a hand on each hip. ‘and that’s a fine piece of Hannibal’s composition! But it’s not suitable for all occasions, and a livelier air would agree with our temperament much better. Change it to something new.’ Then, tucking his apron aside, the butler gallantly took the rosy tips of the housemaid’s fingers and led her out, while the gardener politely did likewise with the cook. The piper looked a little sullen, and he still continued the national anthem as if he knew what he was doing, and was determined to play out his tune. But, the butler did not like being ignored and his temper began to bristle.
“‘Really,’ he observed with a snobbish smile, ‘we are very loyal people around here, but at this particular moment we don’t want to join in a prayer for our sovereign’s welfare! Stop that melancholic thing, man! give us one of Jackson’s jigs.’
“’Out of fashion?’ asked Tim sullenly, ‘but I’ll give you all one as good,’ and ‘Patrick’s Day’ set them all in motion for a quarter of an hour.
“’Oh, we’re all quite tired of that!’ the housemaid said at length, ‘do, piper, give us a waltz or quadrillel. Do you play ‘The Haymaker’s Jig?’ for Jem Sidebottom and I used to dance it beautifully when I lived at Mr Andrew’ s!’
“’What do you call it?’ asked Tim rather sneeringly.
“’The Haymaker’s Jig,’ replied the young lady, drawing herself up with an air enough to kill a piper.
“’Phew!’ replied Tim contemptuously, ‘that’s out of fashion too. But, I’ll give you one as good.” and the “Boyne” followed, played neither faster nor slower than he had been taught it, which was in right time, and nowhere near dancing time, much to the annoyance of the dancers. Another and another jig and reel was demanded, and to all and each Tim Callaghan replied, ‘I haven’t got that, but I’ll give you one as good,” and the “King,” the “Boyne,” and the “Day,” followed each other in due succession.
“Was there anything more provoking! There stood four active, zealous dancers, with toes pointed and heads erect, anxiously awaiting a further top class exhibition of Tim Callaghan’s powers! There stood the dancers, looking beseechingly at the piper. There sat the piper staring at the dancers, wondering what in the name of God they were waiting for, quite satisfied that they had got all that could be reasonably expected from him. ‘And have you nothing else in your chanter?’ the butler angrily demanded at last.
“’E— ah,’ Stammered Tim Callaghan, as if he did not understand the question. But, the question was put to him again, slower and a little louder. ‘Jaysus, you are powerful for asking questions of a man!’ Callaghan retorted impatiently, ‘your master would be content with what I played for you, and he would be grateful for it!’
“’By all that’s holy!’ exclaimed the butler, ‘this beats everything I ever heard of about entertaining! Tell me, did you ever attend a concert for the nobility? — Ha! ha! ha!’
“‘As sure as God,’ laughed the housemaid, ‘I am certain that this boy is going to get a great many more kicks than pennies! — Ha! ha! Ha!’
“’And that’s good enough for him!” added the gardener, ‘for a man that has only three half tunes in the world, and none of them right! Jaysus, what is your name, friend?’
“’What’s that to you?’ growled the Callaghan.
“’Absolutely nothing, friend! Only I thought that you might be the piper that played before Moses — Ha! ha! ha!’
“’Oh! This eejit wouldn’t even know who Moses was,’ said the cook, as she returned to her kitchen. The butler, meanwhile, had had enough and showed his disappointment and displeasure in Callaghan by taking hold of the piper and throwing him out from the comforts of the fire and the house.
“It was after this that I once again had the delight of hearing Tim Callaghan play. It was in another part of the county, where he was not so well known. A lady had gathered a number of young people to a sea-side dance one evening. But, just before the dance was to begin, she had heard that the fiddler she had employed had become ill, and could not possibly play that night. There was, as far as she could see, nothing that could be done. So, when the guests arrived, and the terrible news communicated to them, the gentlemen in spite of themselves looked very disappointed, as if they anticipated a dull evening ahead. The lovely bright faces of the ladies were overcast, though as usual, they tried to hide their disappointment and continued to act as if nothing was wrong. In this middle of this dilemma one of the young men suddenly remembered that he had seen a piper coming into the village that evening. He told the organisers that he thought it was probable the piper would stop for the night at one of the public-houses nearby. There was now a fresh sense of hope that instantly illuminated all faces, and a messenger was immediately sent for the piper. For my part, whenever I heard mention of a piper, I knew who was going to appear before me.
“’What sort of person is your piper?’ I asked the gentleman that had introduced the subject.
“‘A tall, stout, rather drowsy-looking fellow,’ he told me.
“’Oh!’ cried I, ‘it is the unique Mr. Tim Callaghan!’
“I was eagerly asked if Callaghan was a good piper. But, as I was reluctant to give an answer, another person, who knew honest Tim and his ways, answered, ‘Now, anyone in their right mind will not attempt to trumpet the praises of any other person, because one person’s opinion may not match another’s opinion. For this reason, then, we leave Tim Callaghan’s musical merit to speak for itself.’
“At this time I can relate another anecdote that occurred while the messenger had gone to retrieve Callaghan. Another servant, called John, was once sent on a similar errand. John’s master had friends spending the evening with him, and he wanted his servant to procure a musician for the young folks for whatever price he could get. After half an hour John returned home to report that his search had proved fruitless. But, instead of simply saying that ‘he could not find one,’ he flung open the main living-room door, and announced his failure in the following way —
“’I searched the city’s cir-cum-fe-rence round,
And not a musician is there to be
I fear for music you’ll be at a loss,
For the fiddler has taken the road
John then made his bow and retired.
“Tim now made his appearance, and was seated in place at the top of the room, with the attention and respect that was due to his abilities. For my part, the very sight of Tim, and the thought of his consummate assurance, or stupidity, in attempting to play for dancing, amused me beyond any expectations. But, I suppressed all urges to laugh, and kept my eyes and ears on the alert, wondering what was going to come next.
“A bowl of his favourite punch was prepared for him, and while he was sipping it, I thought he cast a scrutinizing and anxious glance at the company that was assembled. I am quite certain that Tim was probably thinking how he should adjust his politics to suit those ready to listen to him. But, poor Tim had little time to settle, for a quadrille set was immediately formed, and he was called on to play! The eager ladies and their young men never once thought that a modern piper might not play quadrilles. In truth, I found it extremely difficult to stop myself from bursting into laughter! There stood the eight elegantly dressed and refined dancers ready to begin, and there sat Tim Callaghan in all his surly stupidity, with a dreadfully puzzled look on his face. He hummed and hawed, tuned and droned much longer than was really necessary, completely unaware of the demand that was about to be made on him and his pipes. He was much more interested in wracking his brains as to which of his three tunes he should play first.
“’A quadrille, piper, when you are ready!’ one of the gentlemen called out.
“’E— ah!’ stammered Tim Callaghan as he opened his sleepy eyes wide with surprise and began to fiddle some more with the pipes.
“’ A quadrille!’ repeated the young gentleman.
“Ogh, sure all of that is out of fashion, but I’ll give you one just as good,” and because the company was a mixed one, of whose political opinions he could not be sure, the dancers were suddenly astounded with the most unpleasant rendition of “God save the King” that they had ever heard!
“All stared at him in disbelief, and most laughed heartily, but what was more hurtful to poor Tim was that his arm was grabbed roughly, and he was forced to stop in the middle of his tune. Then there was an angry demand that if he could not play any quadrilles he could play such and such a waltz, and the names of a dozen popular waltzes were called out to him. Unfortunately, Tim had never heard of any of them in his life! In his confusion and panic Tim began to play “the Boyne,” and some person angrily called the lady of the house. The name called seemed to Tim to be a Catholic one, and a sudden ray of joy shot through his body to his ends of his fingers, and from there to his pipes, and “Patrick’s Day” was the result. A kind of jigging quadrille was then danced by those people who were not so fussy and wanted just to have fun. But, one fussy couple, which included a finely dressed and perfume soaked lady and an aristocratic looking man with his nose permanently stuck in the air, returned to their seats with looks and gestures of horror and disgust. Tim was too busy to notice any of this as he threw himself wholeheartedly into his piping, excited that the ‘quality’ was actually dancing to his music!
“Well! As there seemed nothing better to be had, “Patrick’s Day” was played continuously, as a quadrille, then as a country-dance, much enjoyed by all who preferred dancing to sitting. He played it before and after supper until, at last, everyone was weary of it, and the general view was that Tim should drop the “Day” and take up the “Boyne,” and try to make it move as best he could. By that time, too, Tim had become very tired of the patron saint’s tune, and now that he had drunk his fourth full-flowing tankard of punch he was more inclined to have a sleep rather than play more tunes. But he was soon roused by our worthy host, who was a man who enjoyed fun and was the very soul of the party. ‘For pity’s sake, piper,’ he said, ‘try to give us something that we can put bit of a step to! I wasn’t in the right mood for dancing to-night until now. If you are an Irishman at all, just take a look at the pretty girl that is to be my partner for the next dance, and perhaps those lovely eyes might inspire even you, you sleepy sot, with a bit of movement to perform some sort of a miracle on those pipes!’
“Short as this address was, and lightly as it was uttered, it had no effect on Tim other than making him even more ready to sleep. While the elderly host was speaking, the drowsiness was descending upon Tim faster and faster. He dozed and was shaken awake again. ‘What do you want?’ he growled loudly. ‘What the devil do you all want?’ Looking down at the assembled crowd as he was, I expected him to say, poetically, ‘Now my weary lips I close; Leave me, leave me to repose.”
“‘Play more music! More music!’ said our host, laughing loudly. ‘Any sort of music, any sort of noise,’ and he left the piper and took his place amongst the dancers. Tim mechanically fumbled at his pipes, while the gentlemen busied themselves in procuring partners. There was silence for some seconds until our host called out to him. ‘Begin, piper.’
“‘Out of fashion,’ muttered Tim in broken half-finished sentences, ‘but— I’ll— give— you one— as— good,’ and a long, a loud reverberating snore at that instant almost made good his promise of music as harmonious as the sounds obtained from his pipes!
“You can just imagine the scene that followed. The smelling salts and perfumed handkerchief of the ladies were immediately required as they began to feel that they were about to faint! Those who were nervous jumped at the sound, as if a gun had been fired, while others simply joined in a chorus of laughter. This laughter quickly changed to a degree of regret when it was realised that the Inimitable, and undisturbed, continued to sleep prolonged his sleep, and his nasal performance was his grand finale to the evening. ‘Now’, said the friend who had quietened my attempt to praise the piper, ‘hasn’t Tim Callaghan made his own speech of praise? Hasn’t his talent spoken for itself? What a figure our famous piper would have cut, had we ushered him in here with great words of praise!’
When the storm of laughter had subsided, and when all considered that their unrivalled musician had had enough sleep, he was once more aroused, to receive his well-earned reward, when the following discussion began:
“’Tell me, piper, what is your name?’ asked our host with all the gravity of a judge, as he took out a notebook and pen
“’E— ah? Why, Tim Callaghan.’
“’Ha! Tim Callaghan,’ said the host as he wrote down the answer, ‘I shall certainly remember Tim Callaghan! I suppose, Tim, you are quite famous?’
“’I suppose you are very well known?’
“Why, those that know me the once, will know me again’ said Tim Callaghan.
“’I do believe so! I think I shall know you at all events. Who taught you to play the pipes?’
“’A man called Tom Harte, of the county Derry.’
“’Had he much trouble in teaching you?’
“’Him! Trouble! I know nothing about his trouble, but I can well remember my own trouble! There are lumps on my head to this very day, from the unmerciful cracks he used to give it when I went astray.’
‘“Ha! Ha! Ha! Oh, poor fellow! Well, farewell, Tim Callaghan! I hope your path through life will be pleasant, and may your fame spread through the thirty-two counties of green Erin, until you’re rewarded by playing the pipes in heaven!’
‘”Sure, I’d rather be rewarded with a good dinner!’ said Tim Callaghan, and made his exit.
“For a couple of years afterward I quite lost contact with Tim, and I began to fear that he had vanished from the earth altogether, without leaving a trace. But, this very summer, that particular bright star appeared again, with a strapping big wife, and a young boy called Timothy at his heels. The child being a perfect copy of his father, his nose, sleepy eyes, shovel feet and all, and all the family apparently surviving very well on Tim’s repertoire of three basic tunes, and their variations.”
Many years ago, I am told, there was a man by the name of Paddy Kelly, who lived quite near to the market town of Lurgan in the beautiful, ‘Orchard County’ of Armagh. One bright morning, as was his custom, he rose up from his bed when the sun was not much above the horizon. He had no watch on his arm and he was unsure about what time of day it was. A confusion not at all helped by the fact that the fine light coming through his window originated from a watery early morning sun. But, Paddy did know what day of the week it was, and that he had wanted to rise early so that he could go to the fair in town. There he had high hopes of being able to sell his young, healthy donkey, which he had raised from birth.
Paddy washed and dressed before taking his breakfast of porridge and toast, Then, as he finished his white enamel mug filled with strong tea, Paddy gathered his coat before he set out on his journey to the fair. He had not gone more than three miles along the road from his home that morning when a great dark cloud dimmed the light of the early morning sun, and a heavy shower of rain began to fall. Paddy looked about him and, about five hundred yards from the road, slightly obscured by some trees, he caught sight of a large house. Without a second thought he decided that he would make his way, as quickly as possible, to the house and shelter there until the rain came to an end. In his rush he was a little out of breath when he finally reached the house, and he was very surprised to see that the door before him was already opened wide. Thinking that maybe the owner had seen him rushing to the house in the rain, and opened the door for him, Paddy went into the house unannounced. As he entered he saw a large room to his left, with a grand, welcoming fire already burning in the grate. Paddy decided to sit himself down upon a small stool that stood beside the wall to await the house owner’s arrival. But, the warmth from the fire soon filled the room and rapidly began to make Paddy sleepy.
Then, just as his eyes started closing in sleep, he noticed a big weasel coming to the fire place and it had something very bright and yellow in its mouth, which it dropped on the hearth-stone before hurrying away again. Within a few moments the weasel returned with a similar object held tightly in her mouth, dropping it on the hearthstone before again disappearing. The weasel soon came back again with the same object in her mouth, and Paddy realised that it was a bright gold sovereign that she had. Once again, the weasel dropped the coin on the hearth-stone and scampered from his sight. But, she kept coming and going until, at last, she had piled a great heap of shining sovereigns on the hearth. When Paddy was sure that she was finally gone from the room he quickly rose up from the stool and walked over to the fireplace. Then, using both hands he rapidly bundled all the gold coins, that the weasel had piled up on the hearth, into his jacket pockets and, as quietly as possible, he hurried out of the house.
Despite his best efforts, Paddy was not as fast on his feet as the weasel, and he had not gotten very far before he heard the noise of the angry animal coming after him. The irate weasel was screeching and screaming loudly at Paddy, like a set of Uileann-pipes that were being played very badly. Filled with wrath the weasel quickly overtook Paddy on the road, where she jumped and twisted herself in the air, making every possible effort to get a hold of his throat, so she could tear it out. But, Paddy carried a good thick stick of oak and he used it to keep the snapping weasel from him. Then two men, who were travelling along the same road as Paddy, and in the same direction, came up to him. With one of these men was a large, sturdy dog that began snarling at the angry weasel and chased it into a hole in the wall.
Paddy continued along the road to the fair in the company of the two men and arrived there without any more interruption. Earlier that morning Paddy had headed off to the fair with the sole aim of selling his donkey and returning home immediately with the money he earned from the sale. By the afternoon things had changed and instead of coming straight home with the money he got for the donkey, Paddy went to a trader and bought himself a horse with some of the money he had taken from the weasel. He felt like a wealthy man and he wanted to come home just as a wealthy man should, proudly riding a horse. As they trotted along Paddy reached the place where the dog had chased the weasel away from him. Suddenly, seemingly from nowhere, the angry weasel came scrambling of a narrow hole in the wall. With great athleticism the weasel leaped up from the ground, catching Paddy’s horse by the throat and causing the terrified animal to bolt.
Tormented by the pain of the weasel’s bite the horse rushed off and Paddy could only keep his tight grip on the animal’s mane with the greatest of difficulty. Finally, blinded with agony, the poor horse took a huge leap that brought his rider and he into a big, wide drain that was filled with brackish water and black mud. Both horse and rider were out of their depth, choking and drowning very rapidly, until a small group of men, coming along the road from Portadown, saw the difficulty they were in and they managed to chase the weasel away from the scene. They also helped Paddy and his mount to exit the drain and put them back on their way along the road. Paddy, now in a very dishevelled condition, finally brought the horse home with him and put him into the byre, while he went to his bed and fell fast asleep.
It was very early, the next morning, when Paddy rose up from his bed and prepared himself to go out to the byre and give his new horse some fresh hay and oats. But, when he finally reached the byre door, Paddy saw the weasel scampering out of the byre with her fur completely soaked with a large patch of thick red blood. “Christ almighty! A thousand curses on you and may each one be worse than the one before,” screamed Paddy, “Satan’s polecat and killer of the innocent, what have you done now?”
Paddy hurried into the byre wondering what he would find. There, lying on the hay covered floor, he found the horse, two of his dairy cows, and two newly born calves lying dead in pools of blood. Shocked, upset and angry, Paddy came out of the byre cursing and swearing loudly, and he went immediately to his large farm dog, which was already fighting in its chains, barking and snarling at the weasel as it glared menacingly at Paddy. He now took hold of the chains, loosened them and set the massive dog at the evil killer. The dog snapped at the weasel, taking a tight grip of the struggling creature which, at the same time, took a strong hold of the huge mastiff. Although Paddy’s dog was an excellent farm guard-dog, and despite his size, he was quickly forced to loosen his hold of the weasel before Paddy could reach the battle site.
As the vicious weasel scampered off to make good her escape, Paddy kept his eyes on her movements. He followed her every twist and turn, through grass and bush, until he saw her slink into a small, disused and badly dilapidated cottage that stood at the edge of a shallow lake. Paddy, with the dog at his side, now ran rapidly to catch up with their fleeing enemy. When, at last, he reached the front of the small cottage Paddy took a tight hold of the dog, shook it violently to make the animal very angry and prepare him for the vicious fight ahead.
With his hound well prepared, Paddy sent him into the cottage before he would enter it himself. As the dog moved into the hovel it began to bark loudly and growl threateningly, which encouraged Paddy to go into the building after him. But, as his eyes became accustomed to the dark of the building, he noticed an old hag of a woman lurking in a corner of one room. Taken completely by surprise with the presence of the old woman, Paddy nervously asked her if she had seen a weasel running through the building.
“I saw nothing,” said she quietly. “Sure, isn’t it myself that is all destroyed with a terrible sickness that’s upon me. You must get out of this place as quickly as you can before you catch it and are destroyed yourself.“
As Paddy and the old woman were talking, the large dog quietly kept
creeping up closer to them. Unnoticed by Paddy the dog came to a point from which it suddenly gave a big leap upward and caught the old woman by the throat. With a piercing and terrified scream of pain the old woman cried out, “Paddy Kelly get your dog off me, and I’ll make you a very rich man.”
Paddy taking a tight hold of his dog once again, forced it to loosen its hold on the old woman. He shouted at her, “Tell me who you are, you old witch, and tell me why did you kill my horse and my cows?“
“First tell mewhy you stole away my gold that I had been gathering, throughout the hills and hollows of the world, for five hundred years or more?“
“I thought you were a weasel,” Paddy said, “or I wouldn’t have touched your gold.”
“And, another thing,” said Paddy, “if you have been living in this world for five hundred years already, is it not about time that you went to your eternal rest now.“
“I would if it were not for the fact that I committed a great sin when I was very young,” explained the old woman, “and now I can only be released from my terrible sufferings if you can pay the cost of one hundred and fifty masses for my soul’s salvation.”
“Where would I get all the money to pay for them? ” asked Paddy.
“If you would go and dig under a bush that stands over a little well in the corner of that field over there,” she pointed, “you’ll find a pot filled with gold. Just you pay the money for the masses, and you can keep whatever is left of the gold to yourself. But, I will tell you that there is a great stone that covers the pot and, when you lift the stone off, you will find a big black dog rushing out. This hound might look fierce to you, but don’t be afraid of him, because he is a son of mine. As soon as you retrieve the gold from the pot, buy the house in which you saw me for the first time. There is no doubt that you will get it at a cheap price, for it is well known that the house has a ghost haunting it. Then, look and you will discover my son down in the cellar of the house. He will not do you any harm, but he shall be a good friend to you. Then, in a month from this day, I will be dead and, when I am dead, I want you to put a fire under this little hut and burn it down so there is nothing left. Be assured that if you never tell any living soul a thing about me, you will have a great amount of good luck in your life.”
“Just tell me one thing before I leave, old woman; What is your name? ” asked Paddy.
“Maura Keown,” she told him.
Silently, turning away from the old woman, Paddy left her standing alone in the hut and went home. But, when the first dark shadows of night fell across the country, Paddy grabbed hold of a spade and took it with him as he went to seek the bush that was in the corner of the field, which the old woman had indicated to him. As soon as he had come upon the bush, Paddy immediately began digging with the spade, and it did not take him very long to uncover the pot. As he had been told, when he removed the large stone off the pot, a big black dog sprang out of the hole and ran off, with Paddy’s dog in close pursuit. Meanwhile, Paddy worked quickly to collect up the gold and brought it back to his home, where he hid it in the cow-house.
It was about a month after this episode that Paddy went up to the fair at Dromore. While he was there he bought a pair of cows, a horse, and a dozen sheep for his farm, much to the surprise of his neighbours. These people were very taken aback at Paddy’s new spending power and they wondered and discussed among themselves the source of the man’s new-found wealth. Of course, there were rumours circulating that Paddy had been granted a wish from the fairy folk, while others speculated that he had captured a Leprechaun and received his crock of gold as the ransom. Paddy, however, paid little attention to the rumours and speculations of his neighbours. Then, one day, Paddy dressed himself in his best clothes and set off toward town. He had decided to pay a call on the man who owned the large house where he had first seen the weasel, and he asked the owner if he could buy the house from him, as well as all the land that was round about it.
“You can have the house without paying any rent at all” said the owner, “but there is a ghost in it, and I wouldn’t like you to go to live in it without my telling you. However, if you wish to purchase it I must tell you that I cannot part with the land unless I can get at least a thousand pounds more than you have offered me.“
“Perhaps I have as much money as you require,” replied Paddy. “I can be here to-morrow with the money, but only if you are ready to give me immediate possession.“
“I’ll be ready,” the gentleman assured Paddy, who immediately went home to tell his wife that he had just bought a large house and a considerable holding of land.
“Where did you get the money?” asked the wife anxiously.
” Never you mind,” Paddy told her. “It isn’t any of your business where I got it?“
The very next day Paddy went to meet the gentleman again, gave him the money, and got possession of the house and land. Alongside this, the gentleman left him the furniture and everything that was in the house, as part of the bargain. Then, to confirm his possession, Paddy stayed in the house that night. After darkness fell he made his way carefully down to the cellar, as he had been instructed to by the old woman. In the cellar, to his surprise, he saw a little man with his two legs spread out upon a barrel. “God be good to you for an honest man,” said the wee man to Paddy.
“May God be good to you to,” replied Paddy, nervously.
“Don’t be afraid of me at all,” says the little man. “I will be a constant friend to you, if you are able to keep a secret.“
” I can be assured that I am able to do that. Sure, didn’t I keep your mother’s secret, and be confident that I’ll keep yours as well.“
“Maybe you’re thirsty?” asked the little man.
“I am indeed,” said Paddy, “just a little.”
The small man put his hand into the pocket of the coat he was wearing and took out a finely made goblet of gold material. He gave the goblet to Paddy, and told him, ”Draw some wine out of that barrel under me.“
Paddy took the goblet and filled it wine from the barrel, and he handed it to the little man. “You have the first drink,” the man said.
Paddy drank the wine and then drew another full goblet from the barrel, which he handed to the little man, who drank it.
“Fill up and have another drink,” said the little man. “I feel like having a good session tonight.”
The pair of them sat there drinking until they were both half drunk. Then the little man leaped down to the floor, and asked Paddy, “Do you like music?’
“Of course I do, ” said Paddy, “and I’m a good dancer, too.”
” Lift up the big flag-stone over there in the corner, and you’ll get my pipes under it.“
Paddy lifted the flag-stone, got the pipes, and gave them to the little man. He squeezed the pipes on the bag and began playing a fine melody. Paddy began dancing in time to the music until he had tired himself out. Then they had another drink together, and the little man spoke to him softly, “Do as my mother told you, and I’ll show you great riches. You can bring your wife in here, if you wish, but don’t tell her that I’m there, and she won’t see me. If you need a drink of ale or wine at any time, feel free to come here and help yourself. Goodbye for now. Go to your bed and sleep, then come again to me to-morrow night.“
Paddy went to his bed, and it wasn’t long before he fell fast asleep. Early the next morning Paddy went home, and he brought his wife and children to the big house, where they made themselves comfortable. That night Paddy made his way down to the cellar, where the little man welcomed him and asked him if he wanted to dance.
“Not until I get a drink,” said Paddy.
“Drink your fill,” said the little man, “that barrel will never be empty as long as you live.“
Paddy drank the full of the goblet, and then gave a drink to the little man. The small companion accepted the drink from him and told him, “I am going to the fairy castle tonight, to play music for the good-people, and if you come along with me you’ll see some great fun. I’ll give you a horse, for the journey, the likes of which you have never seen before.“
” I’ll go with you, of course,” replied Paddy, ” but what sort of excuse will I make to my wife. “
“There is no need for you to worry about that. I will bring you away from her side without her knowing it, when you are both asleep together, and then I will bring you back to her in the same manner,” explained the little man.
“That sounds like a good plan,” smiled Paddy, “but we will have another drink before I leave you.” Paddy drank goblet after goblet until he was half drunk, and then he went to bed with his wife. When Paddy awoke, however, he found himself riding on a huge horse near to the legendary fairy castle, and the little man was riding on another horse by his side. When they came as far as the green hill of the castle, the little man said a couple of words that Paddy did not understand. At that moment the green hill opened, and the two men went rode into what was a fine chamber.
Paddy had never saw such a gathering of people like of that which was in the castle. The entire place was filled with little people, men and women, young and old, and they all welcomed the little man they knew as ‘Donal the Piper’, into their midst with Paddy Kelly. From among the crowd the king and queen of the fairies stepped forward and said to them, “We are all going on a visit to-night to Knockmore, to the high king and queen of our people.”
At the king’s signal they all got up from where they were seated and went out of the chamber. There were horses ready for each one of them and a coach prepared for the king and the queen to travel in. The king and queen got into their coach, while each man leaped on his own horse, and Paddy followed close behind them. The wee piper had gone ahead of them all and began to play music for them as they rapidly rode off into the night. With the magic of the good people it did not take them long until they came, at last to the hill of Knockmore. As they arrived at the hill it opened, and the king passed in with the rest of his followers.
Awaiting them all were Finvara and Nuala, the High-king and Queen of the fairy host of Uladh, surrounded by thousands of their little people. Finvara came up to them and told them, “We are going to play a hurling match tonight against the fairy host of Munster, and unless we beat them our fame and magic will be gone forever. Our match is to be fought out on the ‘field of gold’ that lies beneath Slieve Gullion”.
The host of Uladh cried out in unison, “We are all ready for the fight, and we know that we shall beat them all.”
“Let us all get out there then,” cried the high king, “or the men from the hills of Munster will be on the ground before us.”
They all went out of the hill, with little Donal and twelve more pipers moving ahead of them, playing music they could march to. When they came to ‘The Field of Gold’ the fairy host of Munster had gathered in great numbers before them. For those who don’t know fairy lore, it is a requirement at such events, whether they are for fighting or playing hurling, that the fairy host have two live men beside them. This was the reason that little Donal took Paddy Kelly with him and, meanwhile, there was a man they called the “Rory Geary”, from Cork, who stood with the fairy host of Munster.
In moments the two fairy hosts had lined up their teams and the ball was thrown up between them. From that moment the real fun began in earnest. They were hurling away, and the pipers playing music, until Paddy Kelly saw the host of Munster was starting to get the upper-hand, and he began to help the fairy host of Uladh. The man ‘Geary’ came up and he made a move toward Paddy Kelly, but Paddy was the quicker of the two and turned him head over heels. It didn’t take long for the two opposing groups of fairies to abandon hurling and begin fighting. But, in a very short period of time the host of Uladh had gained victory by beating those from Munster. Defeated and deflated, the host of Munster turned themselves into flying beetles and, in revenge, began to eat every green thing that they came across. They were destroying the entire country before them until they came as far as the place where the Bann River flows into Lough Neagh. At that place there rose up thousands of doves from out of the trees, and they began to swallow down the beetles and, since that time, this place has been known to all folklorists as ‘The Sanctuary of the Doves’.
When the fairy host of Uladh had won their battle, they came back to the hill of Knockmore filled with a great joy. Finvara, the High King of the fairies, gave Paddy Kelly a purse of gold and, after the presentation, the little piper brought him back home, putting him into the bed beside his wife, and leaving him sleeping there.
Another month passed by, but without much happening. Until, one evening, Paddy went down to the cellar. When he reached the cellar the little man, Donal, said to him sadly, “My mother is dead, and it is time to burn the house over her.”
“I should have remembered,” said Paddy. “She told me that she had only a month of life left in this world, and that month was up yesterday.“
The next morning Paddy went to the hut and he found that the old woman was indeed dead. Just as he had promised, Paddy put a lighted coal under the hut and set it on fire. When he returned home, Paddy visited the little man and told him that the hut was burned according to his mother’s request. In return, the little man gave him a leather purse and said to him, “This purse will never be empty as long as you are alive. From now, you will never see me again, but in your heart always hold a loving remembrance of the weasel, because it was she who was the beginning and the prime cause of your prosperity.” Then Donal went away from view and Paddy never saw him again.
Thereafter, Paddy Kelly and his wife lived for many years in the large house and, when he died, he left a great wealth behind him, and a large family to enjoy it.
Many long years ago there was a man living in the village of Derrytrask, whom many considered to be a bit of an ‘eejit’. To prove their view of the man, they would point to the way he was demonstratively fond of music but had never been able to learn to play more than one tune on his pipes, namely the “Black Rogue”. In the various bars and at the local festivities he used to make a few shillings from those who would make fun of him as he played his tune. The money helped both the man and his widow mother to pay the rent on their small holding and occasionally buy some luxuries, like snuff and a bottle of stout or two.
One night the Piper was walking home from a local house, where there had been a bit of a dance, and he was somewhat the worse for wear because of the whisky he had imbibed. As he walked along the the narrow cart track road he came up to a little bridge that was close by his mother’s house. He stopped for a moment, breathed into his pipe bag and squeezed it to begin playing that one tune that he knew so well, the “Black Rogue.” From behind him, in the darkness a ‘Puca’ came upon him, grabbed him and flung him on his own back. The ‘Puca’ is a spirit creature which takes on many forms and shapes. On this particular spirit creature there were long horns and the Piper had to take a good, strong grip of these. As he grabbed the horns he cried out at the creature, saying, “Damn you to hell, you evil creature. Let me go on my way home for I have a silver sixpence in my pocket for my mother, and she wants some snuff.”
“Never you mind your mother, or even what she wants” said the ‘Puca’, “but concentrate your mind on keeping your hold on those horns. If you should fall from my back you will surely break your neck and those pipes you carry.” Then, more softly, the ‘Puca’ asked him, “Why don’t you play for me the ‘The Blackbird?‘”
“But, I don’t know that tune,” replied the Piper.
“Do not concern yourself about whether you do or you don’t know the tune,” Puca snapped at him. “Just you begin playing those pipes and I’ll make certain you know the tune.”
Frightened, the Piper put wind in his bag and he began to play such fine music that it made him wonder how such a thing could happen. “Upon my word but you’re a fine music teacher,” says the Piper, adding, “now tell me where you are taking me with such speed.”
“Tonight there is a great feast being held in the house of the Banshee, which stands on the top of Croagh Patrick,” said the Puca. “I am now bringing you to the feast where you will play your music and have no doubt that you will be well rewarded for your trouble.”
“Sure isn’t that a great thing, for you’ll save me a journey, ” replied the Piper, “Father Tom has told me that I should make the pilgrimage to Croagh Patrick as a penance, because it was me who stole the big white goose from the Martins’ farmhouse yard.”
The Puca paid him no mind, put down his head and rushed the piper across hills, bogs and rough places, until he finally brought him to the top of Croagh Patrick. As they came to a halt the Puca struck three blows on the ground with his foot, and a great door opened before them. Unhesitatingly they both passed through the door and found themselves in a large, finely adorned room.
In the middle of the room the Piper saw a large golden table, around which sat hundreds of old women, and all were staring toward him. One of the old women stood up from her seat and greeted him, “A hundred thousand welcomes to you, Puca of November. Who is this mortal being that you have brought with you?”
“This mortal is the very best Piper in all of Ireland,” said the Puca, proudly.
One of the old women now struck a blow on the ground, which caused a door to open in the side wall of the fine room. Then, very much to the Piper’s surprise he noticed, coming out of the door, the big white goose, which he had stolen from Martins’ farmyard. “It’s a miracle to me,” says the Piper, “myself and my mother ate every last morsel of that goose, except for one wing. It was that one wing that I gave to old Red Mary, and it was her that told the priest I had stolen the goose..”
The goose now marched over to clean the table before carrying it away. The Puca now turned to the piper and urged him to, “Play your music for the enjoyment of these ladies.” The Piper put air into the bag and began to play. He played so well that all the old women took to the floor and began to dance, dancing so lively until they were too tired to dance any more. It was then that the Puca came forward to demand that they pay the Piper. Without complaint each and every old woman took out a gold piece from their pockets and gave it to him.
“By the staff of Patrick,” says the Piper, “sure I’m as rich as the son of any great lord.”
“Now come with me,” asked the Puca, “and I will bring you back to your home.”
They went out of the room and, just as the Piper was about to mount the back of the Puca, the goose waddled over to him and presented him with a new set of pipes. With the same speed as before the Puca set off and it did not take him long until he brought the Piper back to Derrytrask. They came at last to the little bridge again and the Piper dismounted the Puca, who quietly told him that he should go home. Before the Piper left the Puca told him, “You now have two things that you have never had before. You now have sense and music.”
Feeling on top of the world the Piper hurried home, and he knocked loudly at his mother’s door, calling out to her, “Mother, let me in. Your son is as rich as any lord, and I have become the very best Piper in the whole of Ireland.”
“You’re drunk again,” replied his mother in disgust.
“No,Mother, indeed I’m not,” insisted the Piper, “Not a single drop of liquor has passed my lips.”
The mother opened the door to him, and he gave her the gold pieces he had received from the old women. “Wait, now,” says he, “until you hear the wonderful music that I can play now.” He quickly buckled on the pipes and began to play, but instead of sweet music there now came a sound as if all the geese and ganders in Ireland were screeching together. The terrible noise that he made wakened all the neighbours, and they were all mocking him. Their mocking continued until the Piper put on his old pipes and, from that moment, he played the most melodious music for them. Now that they had heard his music the Piper told them all the great adventure that he had gone through that night and they listened to his story in disbelief.
The next morning, when Piper’s mother went to look at the gold pieces her son had given her, there was nothing there but the leaves of a plant. Shocked by this the Piper went to see the priest and related to him the adventure he had undertaken. But the priest would not believe a word that he uttered and the Piper decided to play the pipes for him. As he did so the screeching of the ganders and the geese began once again. “Leave my sight, you thief,” the angry priest roared at him. But the Piper would not move an inch until he put the old pipes on him to demonstrate to the priest that his story was indeed true. He buckled on his old pipes, and he began to played the most wonderful and melodious music. Such became his fame that it is said from that day until the day of he died there was never his equal as a Piper in all the west of Ireland.
This is a genuine portrait of an Irish piper, for the face of the man, and the instrument on which he is playing, are both characteristic of our Nation, genuine Irish. In the well-proportioned oval face you can recognise his years of wisdom, good sense, and gentleness, which is a common trait found among the ordinary people of Ireland, in town or countryside. As for the bagpipes, they are of the most approved Irish kind, beautifully finished, and from which we hear the delicious, relaxing strains traditional Irish music in these modern times of electric guitars and computerised tunes. Pipes such as these have been handed down from generation to generation unto the present time. As a family heirloom they are treated well, taken good care of, and used in a manner that does justice to their powers.
The cause of this apparent deficiency of feeling or talent, many believe, is due to the fact that Paddy, a genuine musical genius, never had the opportunity of hearing any of the great performers of the past and, therefore, had not the chance of improving his considerable talents further. Those whom he did hear he can imitate and outplay very successfully, but in every Irish County there is always one musician of one instrument or another more eminent than the rest, who is recognised as the best in his locality.
In this work we only wish to present a few traits in the character of an individual Irish Piper, which after all relate more to the man than the musician. At the same time, we want let our foreign readers and lovers of Ireland to realise that the true Irish Pipers are not at all like the story of the piper who made his living with only three tunes that he played for the farmers in the land for Paddy could play not three tunes, but three thousand. When he played, they say that your feet could not keep still and your spirit would rise in great joy as the strains of the Irish jig, the reel, and the country dance. This was the way it was in days past, and is slowly becoming so once again, and thank God for it.
But Paddy was more than just an exceptional piper, for he was also a very exceptional man, made even more exceptional when we are told that he had been deprived of his eyesight. He was still a kind and caring person whose path through life was marked by the regard that others felt for him, for he was respected. We had heard enough of the qualities that he had and which had gained him this respect, independently of his musical renown, before we had met with him, to make us want to get to know him better. It was while we were on a visit to Galway with some friends last summer that we tried for two or three days to get him to our hotel for an evening, but in vain. He was away from his playing his music in various locations and could not be found until, on making our way towards Connemara, we met a blind man coming along the road, whom we immediately thought was the ‘Galway Piper’, and discovered we were correct. It was Paddy Connolly himself, who had returned home for a change of clothes, and was on his way back to Galway to spend the evening with a party of gentlemen by whom he had been employed to play during the Regatta. It was not convenient for us to return to the city with him, and so we very wisely decided to carry him off with us. After we seized his pipes from him the rest was easy to do by first taking his pipes, after which we soon had him, a quiet though for a while an upset captive. “Oh! in the name of God, what will Mr Kennedy and the gentlemen think of me at all at all?” exclaimed Paddy.
“Never mind, Paddy,” we told him, “they can hear you often, but we may never have another opportunity of doing so again. So, come along with us, and rest assured that you will be as happy with us as you would have been with those gentlemen at the Regatta.” Only a few minutes later, we had Paddy crooning old Irish songs for us, and pointing out all the objects of any interest or beauty on either side of the road, and this with a correctness and accuracy which perfectly astounded us.
We kept Paddy with us for two weeks before we brought him back safely to Galway. But, during that time, as well as since, we had many opportunities to. But of all his talents, Paddy’s greatest asset was his constant benevolence toward others. There are many examples of this characteristic, which his friends and neighbours will eagerly tell you about his efforts to assist those who are poorer than himself. In his home village, about two miles from Galway, we asked him about the poverty in which his neighbours lived. “Poor? Indeed they are, Sir, very,” he replied, “they have been very badly off this year because of the wet weather, the want of heat, and the high price of potatoes.”
“And how,” I asked, “have they managed to keep body and soul together?”
“Ah, sure, just with the help of those who are a little better off than themselves.”
Paddy never said that he was the person who helped them willingly, but when he was asked was he able to give them any help he confessed that he had, saying he had lent thirty shillings to one family so they could buy seed for their bit of ground, ten shillings to another to buy meal, and so on. “And will they ever pay you back, Paddy?” he was asked.
“Och! they will, to be sure, Sir,” Paddy replied in an unconvincing manner, adding, “if they can, and if they can’t, Sir, why, please God, I’ll get over it. Sure, one couldn’t see the creatures starve!”
Then, we heard that Paddy’s turf had been stolen from him, perhaps by some of the very people whom he had helped and we were curious to ascertain how he took his loss. So, he was asked, “How were you off for turf last winter, Paddy?”
“And how did it happen that you had no turf of your own?”
“Because, Sir, it was all stolen from me, after I had paid two pounds for cutting and drying it.”
“Did you ever,” he was asked, “discover who were the robbers?”
“Oh, yes,” he replied.
“And could you prove the theft against them?”
“I could, to be sure.”
“Did you prosecute them?”
“Sure, what good would that do me?” and Paddy added, in a tone of pity, “the creatures! Sure, they were poor rogues, or they would not have taken every bit away.”
“Well, then, Paddy, did you ever speak to them about it?”
“I did, indeed.”
“And what was their answer?”
“They said, that they wouldn’t have touched it if they had known it was mine.”
“Did they ever return any of it?”
Paddy replied with a laugh, “Oh, no!”
Another story tells that one day, while Paddy was stopping at Mr O’Flaherty’s, who was blind in one eye, was walking two horses, one of which was also similarly disabled, and the other completely blind. A man who was present remarked that here were four animals, two men and two horses, that had but two eyes among them, and he proposed a race, to which Paddy and O’Flaherty agreed. Paddy was placed upon the horse which could see a little, and O’Flaherty got up on the blind one. Off they started with whip and spur, and to his great delight, Paddy won, and he was delighted at having achieved this feat.
Another day, we were standing in the kitchen, listening to Paddy telling his stories to a happy group of young people, when he was spoken to by a middle-aged woman, who, from her lack of English, misunderstood what he was saying, and imagined that he was making a pass at a lovely young girl, representing himself as an unmarried man. Paddy, therefore, was very surprised to hear himself attacked viciously in Irish and broken English, about his terrible conduct. Before the woman had stopped her tirade, Paddy’s face showed that the man would now carry on this joke. So, when he was allowed to reply, he in turn scolded her for being stupid in supposing that she knew him, denied having ever seen her before, and declared that he was not Paddy Connolly at all, and never had heard of or seen such a person. He further added, that “it was a shame for a woman with her two eyes to be so foolish.” The woman could only look at him in mute bewilderment, and actually seemed to doubt her own senses. But she gradually became satisfied as to his identity, and, excited into a virtuous rage, she rushed out of the house, declaring that she would never stop until she told his wife of his misconduct, and she kept her word.
Yes, Paddy was like many others in the county, an ardent lover of field sports. Sitting at breakfast in the local hotel our peace and quiet was suddenly disturbed by a loud din of barking dogs and shouting men. From the main window we could see the road beyond the bridge fore a mile or more and you can imagine our astonishment at seeing Paddy Connolly and Paddy McKee hand in hand and running at top speed, both shouting joyfully and accompanied by a host of greyhounds and terriers barking in chorus, and quickly racing out of sight. Looking at the hotel manager we asked, ” What in the world is the meaning of that?“
“It’s Paddy and McKee going off to course, after borrowing my dogs.”
When all is said and done we must state Paddy was both a temperate and prudent man. He was asked once, “You don’t drink hard, Paddy?”
In conclusion we will admit that Paddy appears to be in comfortable circumstances, farming a bit of ground. His cottage is neat and tidy, and he has a high opinion and decent pride in his own undoubted musical talents. He only plays for the gentry or for the more comfortable farmers. He will not lower his professional standards to play in the pubs for the ordinary folks, except on rare occasions, when he does it for free and for the sole pleasure of making them happy.